Two Concepts of Allegory: A Study of Shakespeare's The Tempest and the Logic of Allegorical ExpressionBarnes & Noble, 1967 - 175 pages The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. |
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Page 2
... course , was writing in the very thick of it . For the beginning of this kind of criticism - though ' beginning ' sounds much too definite - we must go back to Schlegel's lecture1 on the comedies of Shakespeare . Schlegel appears ...
... course , was writing in the very thick of it . For the beginning of this kind of criticism - though ' beginning ' sounds much too definite - we must go back to Schlegel's lecture1 on the comedies of Shakespeare . Schlegel appears ...
Page 62
... course of the passage from particular to general . Of the serious claim for the substantial identity of images , ideas , and concepts , the philosopher makes short work . A. J. Furlong , C. A. Mace and D. J. O'Connor , in a symposium on ...
... course of the passage from particular to general . Of the serious claim for the substantial identity of images , ideas , and concepts , the philosopher makes short work . A. J. Furlong , C. A. Mace and D. J. O'Connor , in a symposium on ...
Page 153
... course , and therefore to the meaning of the play.1 How , then , is this special sort of allegory , in which principles are contained and adumbrated , to be distinguished from any other play , from which principles can be extracted ...
... course , and therefore to the meaning of the play.1 How , then , is this special sort of allegory , in which principles are contained and adumbrated , to be distinguished from any other play , from which principles can be extracted ...
Contents
Two Concepts of Allegory | 15 |
The Psychological Basis | 49 |
The use of the Imagination in | 73 |
Copyright | |
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Common terms and phrases
abstract actual allegory allow appears argument assertion beauty beginning Caliban called century Certainly chapter character closely concept concrete course criticism Dante describe doubt dream edition Elizabethan English ethical example existence expression fact feel figure follows force give given historical human idea ideal imagery imagination individual intuitions John language later less lines literal logical London look means mental metaphor metaphysical mind Miranda nature never object observes once ontological Oxford particular passage perception perhaps philosophical picture Plato play poem poet poetic poetry possible Prospero psychological question reality reason relation seems seen sense Shakespeare simply Sonnets sort speak speech spirit stage status strange suggestion suppose symbol talk Tempest things thought tion Trans true truth turn universal whole writing