Never their own: spread making them Their arms out for the strong embrace Which the gods owed them. Then, instead Of fourteen, there were twenty-oneSeven shades, seven gods, seven fairies lithe Born of this union. Ever blithe "I saw seven Rays swiftly come on; "I saw seven shapes stand by the Rays, Tones their several While seven ways Took by me :— And when any Tone Gave voice, a Ray, its friend to own, Sparkled and shook; and a fine glance Of recognition sly did dance In each Shape's carven countenance. And when any God, To smile; nor durst a Ray refuse The understanding was that stood. (?) Attraction and repulsion strange; And set their kingdom there-(?) One diamonds had, instead of eyes! And for a tongue, the wind's deep sighs, And earths and stones for arms and thighs, And foam for hoary hair. "The second was mossed over, And his hair was grass and clover; When the second Bow its light "But when the third Bow flamed, each Tone and God Did give a voice or nod; And the third a solemn finger keeps And the whole universe did rock and As if in twain to break ; And Shades, Fays, Gods, Rays, In dread did prostrate fall; We give the entire of this strange production to the reader, as a curiosity of literature. Not that we under stand it, indeed; for, like the worthy our seven senses for seven hours a-day, we must "give it up," as to all our From the remaining "Poems" we must cull a few more rarities for the entertainment of our readers. The sky at night is called a "beautiful blue meadow" (p. 13). In the next page a still more singular figure is used: "But, oh, thou blue cloak-God's own vestment wide, This, it must be confessed, is inexpressibly sublime. In "The Daisy" (p. 22) are to be found some new and pretty fancies; but the entire piece is so overladen with forced conceits, as to leave only a comic impression on the mind. The bee is described as never coming to woo the daisy 66 Except he brings His pocket on his thigh." The gnat is called an— "Old back-bent fellow In frugal frieze coat drest." poem We “What's that to thee, thou foul and gluttonous Grave? Against my breast's red secrets ?—I am free ! Who made my flesh thy slave? And again Come, shew thy warrant." &c. "What right hast thou, O Grave, to moulder me?"-p. 31. And lastly "Let me alone, thou pensioner of Death !"-p. 31. In the lines "To a Star" is the following stanza : "It gleams! it gleams! the gentle Its eyelids deigns to part, "It seems a friend to recognize; In the next stanza, the important question is asked "Do stars weep? Sure, to that shy wink, Some mist, like tears, was given !" To which an answer is given, though not very confidently, in the following verse:— "And it may weep,-a star may weep." Of course, for the same reason that "a Shade must nod," as mentioned in our first extract. The last four lines of this poem gives our author's idea of "the whole duty of man," which must shock any Malthusian poet or critic who may chance to read them :— "For there's no glory, save to try To breed smiles in the human eye, And cut off the posterity Of every tear and sigh !"-p. 34. Some of the author's peculiar philosophy is given in the poem called "The Hills"-p. 35. Addressing those who may differ in opinion with him, he says:- "Yes, Messieurs, right well I bear you." -P. 37. In the Sonnet, p. 40, is the following curious image, descriptive of the sweet pea ::- Which we respectfully deny. The remainder of the volume is taken up with a long poem called "Clifton Grove Garland," which we regret our space will not permit us to do more than mention. Could we devote an entire article to it, we would find a difficulty even then in pointing out all the fantastic conceits and affectations both of thought and language that we have marked in reading it. Of these we must be content to offer but one, which, however, is sufficient to immortalise the author and the poem. It is descriptive of the river Trent, which he calls "That preacher of Time's lapse, aye eloquent, That LIQUID PRESENT PARTICIPLE,- PASSING, NE'ER PAST!!"-p. 12. When Lindley Murray can supply a poetical image, there is hope for all things. With this passage we shall take leave for the present of all our friends, poets as well as readers. We trust both classes are pleased with the manner in which we have arranged this poetical banquet-the former with. the way in which they have been dished, and the latter with the mode in which they have been served. The opinions which we have pronounced upon the several books that came before us, may be right or may be wrong, all we can say with certainty is, and we say it in all seriousness and solemnity, that those opinions are honestly and deliberately formed, and are expressed without favour, prejudice, or partiality. We would consider our duty a pleasanter one, if the judgment passed on those writers were, on the whole, more favourable and complimentary. Though we are reconciled to it, from the conviction that a little timely severity may prevent much heart-burning and bitter disappointment, and waste of time and misdirection of talent on the part of most of them. With regard to such of the writers as we have condemned, our intention were really much less to amuse the reader at their expense, than to good-humouredly laugh them out of their several delusions. The last author reviewed (Mr. Sutton) gives special permission to the critic to be truthful, and we have taken him at his word :— "Do you love me? Come thou nigh me; PICTURES IN THE DARK. BY A DREAMER. In the deep quiet of the Midnight hour, When Memory sad her lonely watch is keeping, What visions burst on my rapt senses, sweeping Across the wandering soul with stayless power! Old forests wave. Vast mountain-ranges tower To heaven, with clear and glancing rills down-leaping Their rugged sides. . . . Calm, moon-lit bays lie sleeping, O'er-watched by stars Summer landscapes flower In their rich beauty. . . . Loving forms attend The childhood's Comforter, the boyish Friend, The Known of riper years. But, welcom❜d most, A sad and gentle face doth o'er me bend Thine, Una! once-loved and early-lost. North Esk, 29th September, 1848. EASTERN RAMBLES. CHAPTER II. A MEDLEY, COMPRISING A NEW IN THE DESERT-A DITTO USE FOR A MEDICINE CHEST-THE BOY BOTTLE-AN HAREEM IN NURIA-ARAB PHLEBOTOMY ROUGHING IT ON THE NILECROCODILE SHOOTING, AND A CROCODILE CEMETERY-LYNCH LAW IN EGYPT-SLAVE MARKET AT ASSUAN-THE MOTHER'S GIFT-DESCENT OF THE CATARACT-ODE TO THE RIVER NILE. "A LITTLE knowledge is a dangerous thing," so says some wise old saw, and not a doubt of it. "Never meddle with edged tools," unless, at least, you understand the use of them—a moral maxim indelibly impressed on my puerile faculties, by the early and constant contemplation of a veracious picture, wherein was faithfully represented a country bumpkin who had actually cut his head off by the indiscreet application of an unwieldy axe, whereupon the body of said bumpkin remained standing bolt upright, with arms outstretched, in highly natural amazement; while the head, with hair on end, bristled from its unwonted position between the legs, looking up, in grim consternation, at the involuntary dissolution of partnership between itself and trunk. "A little knowledge is a dangerous thing;" grant it; but a little knowledge is, on some occa sions, a very diverting thing, as my own practical experience testified in the delights of a medicine-chest. One material component of our outfit for the East was, of course, a medicinechest, not one of your gim-crack, glass-stoppered, mahogany affairs, but an honest, substantial oak box, well filled with every known combustible, for the cure or prevention of any ordinary disease-not that I previously pretended to any acquaintance with, or skill in, the use of medicine. I had not (like Tony Lumpkin) been "dosed ever since I was born;" nor, like him, had I "gone through every receipt in the "Complete Housewife" ten times over;" nor had my respected mother (like Mrs. Hardcastle) any "thoughts of coursing me through quinsy the next spring,"- -as far, at least, as I was aware of; yet, having purchased a medical treatise to instruct me in the due application of my drugs, I naturally considered myself qualified for the purgation of the Arab race in general, or any member of my own party in particular, whose malignant star might guide him under my hands. On the Nile my practice was extensive, and of a very flattering description; for Egyptian boatmen, I spread blistering ointment on old mummy cloths-I thought the idea classical and appropriate; of eye-waters and cathartics I was profuse beyond example; but in the Desert I "came out strong." The circumstances were as follow. A favourite Sheik, belonging to our escort, had suddenly fallen ill soon after we left Lucy, and becoming daily worse, he got himself strapped on his dromedary, covered up his face, and stoically resigned himself to fate. At this juncture it was discovered there was a Hakeem in the caravan, and my patient being brought alongside me as I rode, I promptly administered, internally, a potation of oil of croton, and, to aid and abet the same, applied externally an enormous blister, which was twisted round the throat. It was now two to one against my patient, for poor Sheik Embarak had to struggle against both doctor and disease; but whether I roused any latent energy, or vitality was deep seated in the man, the upshot was, that from that day the Sheik began evidently to amend, and, marvellous to relate, in about three days more was nearly as well as ever. In fact, the Sheik recovered, and I became famous. My name was bruited through the camp; indeed, I became so respected, that no Bedawee of distinction now lit his shebook on the march without first presenting it to the Hakeem, to take a preliminary puff or two-a distinction with which I could have dispensed. A few days after, as I was riding beside the learned man of our party (the orator of the convent, as you may remember, in the preceding chapter), two Bedawee on foot came beside him, and accosted him after a ceremonious salute. One of them was a freshlooking fellow, young and hale; the other a little sun-dried, used-up old Arab, grisly and grey. |