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did not hurry as a task, but would spend an hour or two in commenting with her mother on the contents of the chapter she had read.

In 1833, when she was ten years old, she had a severe attack of scarlet fever, from which she recovered but slowly; and her father, thinking that the climate and situation of Saratoga would benefit her, removed thither in that year. But she showed her love for the wilder scenes of her "Native Lake" in the following sweet verses-remarkable for one so young-on the charms of

LAKE CHAMPLAIN.

Thy verdant banks, thy lucid stream,
Lit by the sun's resplendent beam,
Reflect each bending tree so light
Upon thy bounding bosom bright:
Could I but see thee once again,
My own, my beautiful Champlain!

The little isles that deck thy breast,
And calmly on thy bosom rest,

How often, in my childish glee,

I've sported round them bright and free!
Could I but see thee once again,

My own, my beautiful Champlain !

How oft I've watch'd the freshening shower
Bending the summer tree and flower,
And felt my little heart beat high

As the bright rainbow graced the sky!
Could I but see thee once again,
My own, my beautiful Champlain !

And shall I never see thee more,
My native lake, my much-loved shore?
And must I bid a long adieu,
My dear, my infant home, to you?
Shall I not see thee once again,
My own, my beautiful Champlain ?

In 1834, she was again seized by illness,-a liver-complaint, which by sympathy affected her lungs, and confined her to her room for four months. On her recovery, her genius, which had seemed to lie dormant in sickness, broke forth with a brilliancy that astonished her friends; and she poured out, in rapid succession, some of her best pieces. But her health was evidently declining. The death of a beloved brother, in 1835, affected her deeply; and, with short and transient gleams of health amid dark and dismal prospects, this amiable and gifted child slept, as she herself trusted, in the arms of her Redeemer, on the 25th of November, 1838, aged fifteen years and eight months.

Read an article in the "London Quarterly Review," by the poet Southey, vol. Ixix. p. 91. In commenting upon Washington Irving's charming Memoir of this wonderful child, the "Democratic Review" for July, 1841, thus remarks: "This is a record, by one of the finest writers of the age, of one of the most remarkable prodigies that the poetical literature of any country has produced.”

In 1833, while on a visit to New York, she expressed, in the following beautiful lines, her

YEARNINGS FOR HOME.

I would fly from the city, would fly from its care,
To my own native plants and my flowerets so fair!
To the cool grassy shade, and the rivulet bright
Which reflects the pale moon on its bosom of light.
Again would I view the old mansion so dear
Where I sported, a babe, without sorrow or fear.
I would leave this great city, so brilliant and gay,
For a peep at my home on this pure summer-day.

I have friends whom I love, and would leave with regret,
But the love of my home, oh, 'tis tenderer yet!
There a sister reposes, unconscious, in death,-

'Twas there she first drew, and there yielded, her breath;
A father I love is away from me now,-

Oh, could I but print a sweet kiss on his brow,

Or smooth the gray locks to my fond heart so dear,
How quickly would vanish each trace of a tear!
Attentive I listen to pleasure's gay call;

But my own darling Home, it is dearer than all.

TO HER MOTHER.'

O mother! would the power were mine
To wake the strain thou lovest to hear,
And breathe each trembling new-born thought
Within thy fondly listening ear,

As when, in days of health and glee,
My hopes and fancies wander'd free.

But, mother! now a shade hath pass'd
Athwart my brightest visions here;
A cloud of darkest gloom hath wrapp'd
The remnant of my brief career:
No song, no echo can I win;
The sparkling fount hath dried within.

The torch of earthly hope burns dim,
And fancy spreads her wings no more;

And oh, how vain and trivial seem
The pleasures that I prized before!
My soul, with trembling steps and slow,
Is struggling on through doubt and strife;
Oh, may it prove, as time rolls on,

The pathway to eternal life!

Then, when my cares and fears are o'er,
I'll sing thee as in "days of yore."

This was the last poem she ever wrote.

I said that Hope had pass'd from earth,-
'Twas but to fold her wings in heaven,
To whisper of the soul's new birth,

Of sinners saved and sins forgiven:
When mine are wash'd in tears away,
Then shall my spirit swell the lay.

When God shall guide my soul above
By the soft chords of heavenly love,-
When the vain cares of earth depart,
And tuneful voices swell my heart,
Then shall each word, each note I raise,
Burst forth in pealing hymns of praise;
And all not offer'd at his shrine,
Dear mother, I will place on thine.

GEORGE H. BOKER.

The following is the dedication to "Songs of Summer:"

TO GEORGE H. BOKER.

Not mine the tragic poet's art,
His empire of the human heart:
That world is shut from me,
But you possess the key.

I see you in your wide domain,
Surrounded by a stately train,
That lived and died of yore:
But now they die no more!
The Moor Calaynos: Anne Boleyn:
The Guzman and the cruel queen;
And that unhappy pair

That float in hell's murk air!

Anon your bitter Fool appears,
Masking in mirth his cynic sneers,
We hear his bells, and smile,
But long to weep the while.

A narrower range to me belongs,
A little land of summer songs,
A realm of thought apart
From all that wrings the heart.
To win you to my small estate,
Old friend, I greet you at the gate,
And from its fairest bower
Bring you this simple flower.

RICHARD HENRY STODDAP.D.

GEORGE HENRY BOKER was born in the city of Philadelphia in 1824, and was graduated at Princeton College in 1841. After travelling some time in Europe for literary improvement, he returned home "to devote a life of opulent leisure to the cultivation of letters and to the enjoyment of the liberal arts and of society." In 1847 appeared his first publication, under the title of The Lesson of Life, and other Poems; and the next year, Calaynos, a Tragedy, which was well received. The scene is laid in Spain, and the plot is designed to illustrate the hostile feeling between the Spanish and Moorish races. His next production was Anne Boleyn, a Tragedy, which shows more maturity of thought than Calaynos, and a finer vein of poetical feeling. These were followed by The Betrothal, Francesca da Rimini, and other plays. In 1856 appeared a collection of his dramatic and miscellaneous poems, in two beautiful volumes, from the press of Ticknor & Fields.'

"The glow of his images is chastened by a noble simplicity, keeping them within the line of human sympathy and natural expression. He has followed the masters of dramatic writing with rare judgment. He also excels many gifted

ODE TO A MOUNTAIN OAK.

Proud mountain giant, whose majestic face,
From thy high watch-tower on the steadfast rock,
Looks calmly o'er the trees that throng thy base,
How long hast thou withstood the tempest's shock
How long hast thou look'd down on yonder vale
Sleeping in sun before thee;

Or bent thy ruffled brow, to let the gale
Steer its white, drifting sails just o'er thee?

Strong link 'twixt vanish'd ages!

Thou hast a sage and reverend look;

As if life's struggle, through its varied stages,
Were stamp'd on thee, as in a book.

Thou hast no voice to tell what thou hast seen,
Save a low moaning in thy troubled leaves;

And canst but point thy scars, and shake thy head,
With solemn warning, in the sunbeam's sheen;
And show how Time the mightiest thing bereaves,
By the sere leaves that rot upon thy bed.

poots of his class in a quality essential to an acted play,-spirit. His language also rises often to the highest point of energy, pathos, and beauty.”—H. T. TUCKERMAN.

Mr. Boker's Ballad of Sir John Franklin is a beautiful production,—a happy imitation of the ancient ballad,-but too long for insertion here. It reminds me, however, of the graceful" Ballad of the Tempest," by

JAMES T. FIELDS.

Mr. Fields was born at Portsmouth, New Hampshire, in 1820, and is a partner of the well-known publishing-house of Ticknor & Fields, Boston,-a house that never published an inferior book, nor any book in an inferior manner. Mr. Fields has won considerable reputation as a poet, by the volume of his poetical productions published in 1849, and by two volumes privately printed for friends in 1854 and 1858.

BALLAD OF THE TEMPEST.

We were crowded in the cabin,
Not a soul would dare to sleep,-
It was midnight on the waters,
And a storm was on the deep.
'Tis a fearful thing in winter

To be shatter'd in the blast,
And to hear the rattling trumpet
Thunder, "Cut away the mast!"
So we shudder'd there in silence,---

For the stoutest held his breath,
While the hungry sea was roaring,
And the breakers talk'd with Death.

As thus we sat in darkness,
Each one busy in his prayers,-
"We are lost!" the captain shouted,
As he stagger'd down the stairs.
But his little daughter whisper'd,
As she took his icy hand,
"Isn't God upon the ocean,

Just the same as on the land?'

Then we kiss'd the little maiden,
And we spoke in better cheer,
And we anchor'd safe in harbor
When the morn was shining clear.

Their recent "Household Edition of the Waverley Novels"-the best published in this ountry-is highly creditable to their judgment and taste.

Type of long-suffering power!
Iren in my gayest hour

Thou'dst still my tongue, and send my spirit far,
To wander in a labyrinth of thought;

For thou hast waged with Time unceasing war,
And out of pain hast strength and beauty brought.
Thou amidst storms and tempests hadst thy birth,
Upon these bleak and scantly-sheltering rocks,
Nor much save storm and wrath hast known on earth;
Yet nobly hast thou bode the fiercest shocks
That Circumstance can pour on patient Worth.

I see thee springing, in the vernal time,
A sapling weak, from out the barren stone,
To dance with May upon the mountain-peak;
Pale leaves put forth to greet the genial clime,
And roots shot down life's sustenance to seek,
While mere existence was a joy alone,-
Oh, thou wert happy then!

On Summer's heat thy tinkling leaflets fed,
Each fibre toughen'd, and a little crown
Of green upon thy modest brow was spread,
To catch the rain, and shake it gently down
But then came Autumn, when

Thy dry and tatter'd leaves fell dead;
And sadly on the gale

Thou drop'dst them one by one,-
Drop'dst them, with a low, sad wail,

On the cold, unfeeling stone.

Next Winter seized thee in his iron grasp,

And shook thy bruised and straining form;

Or lock'd thee in his icicles' cold clasp,

And piled upon thy head the shorn cloud's snowy fleece

Wert thou not joyful, in this bitter storm,

That the green honors, which erst deck'd thy head,

Sage Autumn's slow decay, had mildly shed?

Else, with their weight, they'd given thy ills increase, And dragg'd thee helpless from thy uptorn bed.

Year after year, in kind or adverse fate,

Thy branches stretch'd, and thy young twigs put forth,
Nor changed thy nature with the season's date:
Whether thou wrestled'st with the gusty north,
Or beat the driving rain to glittering froth,
Or shook the snow-storm from thy arms of might,
Or drank the balmy dews on summer's night;-
Laughing in sunshine, writhing in the storm,
Yet wert thou still the same!

Summer spread forth thy towering form,
And Winter strengthen'd thy great frame.
Achieving thy destiny

Ou went'st thou sturdily,

Shaking thy green flags in triumph and jubilee!

From thy secure and sheltering branch

The wild bird pours her glad and fearless lay.

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