The Life of Shakespeare: Enquiries Into the Originality of His Dramatic Plots and Characters; and Essays on the Ancient Theatres and Theatrical Usages, 1. köide
Longman, Hurst, Rees, Orme, Brown, and Green, 1824
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Act II action actors appears assigned beauty better brother called cause character circumstances comedy common copied court crown daughter death display drama dramatist Duke edition effect Elizabeth entire equally exhibited expression fact fairies father feeling feet folio frequently friar furnished give given Globe hand hath heart Henry Holinshed honour idea incidents John Juliet king lady less lines lived look Lord lover marriage master means mention mind nature never night Note notice old play original passage passion performance person picture plot poem poet poet's present prince printed probability quarto queen represented Richard Romeo says scene servants Shak Shakspeare Shakspeare's shilling speare spirit stage story Stratford theatres third Thomas thou thought tion truth unto whole wife young
Page 222 - ... in her days, every man shall eat in safety, under his own vine, what he plants ; and sing the merry songs of peace to all his neighbours: God shall be truly known ; and those about her from her shall read the perfect ways of honour, and by those claim their greatness, not by blood.
Page 248 - With purple grapes, green figs, and mulberries ; The honey bags steal from the humble-bees, And, for night-tapers, crop their waxen thighs, And light them at the fiery glowworm's eyes...
Page 257 - Flying between the cold moon and the earth, Cupid all arm'd : a certain aim he took At a fair vestal throned by the west, And loos'd his love-shaft smartly from his bow, As it should pierce a hundred thousand hearts : But I might see young Cupid's fiery shaft Quench'd in the chaste beams of the watery moon, And the imperial votaress passed on, In maiden meditation, fancy-free.
Page 242 - He draweth out the thread of his verbosity finer than the staple of his argument.
Page 73 - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Page 151 - I'll sup. Farewell. Poins. Farewell, my lord. [Exit POINS. P. Hen. I know you all, and will a while uphold The unyok'd humour of your idleness : Yet herein will I imitate the sun, Who doth permit the base contagious clouds ' To smother up his beauty from the world...
Page 69 - Two loves I have, of comfort and despair, Which, like two spirits, do suggest me still: The better angel is a man right fair, The worser spirit a woman coloured ill. To win me soon to hell my female evil Tempteth my better angel from my side, And would corrupt my saint to be a devil, Wooing his purity with her foul pride...
Page 84 - ... where (before) you were abus'd with diverse stolne and surreptitious copies, maimed and deformed by the frauds and stealthes of injurious impostors that expos'd them ; even those are now offer'd to your view cur'd and perfect of their limbes, and all the rest absolute in their numbers as he conceived them; who, as he was a happie imitator of Nature, was a most gentle expresser of it.