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" In the next place, our critics do not seem sensible that there is more beauty in the works of a great genius who is ignorant of the rules of art, than in those of a little genius who knows and observes them. "
The Spectator. ... - Page 198
1789
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The Spectator, 8. köide

1717 - 336 lehte
...greater • Judgment fhewn in deviating from the Rules of Art, " than in adhering to them ; and, •idly, That there is more Beauty in the Works of a great...Works of a little Genius, who not only knows, but fcrupukmfly obfcrves them. FIRST, We may often take Notice of Men who are perfectly acquainted with...
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The Spectator, 8. köide

1729 - 320 lehte
...which is what we call the Sublime in Writing. IN the next Place, our Criticks do not feem fenfible that there is more Beauty in the Works of a great Genius who is ignorant of the Rules of Art, than in thofe of a little Genius who knows and obferves them. It is of thefe Men...
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The Spectator, 8. köide

1739 - 332 lehte
...a greater Judgment (hewn in deviating from the Rules of Art, than in adhering to them ; and, zJ/y, That there is more Beauty in the Works of a great...little Genius, who not only knows, but fcrupuloufly obferve* them. FIRST, We may often take notice of Men who are perfectly acquainted with all the Rules...
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Harrison's British Classicks, 5. köide

1786 - 670 lehte
...arts, which it what we call the fublime in writing. In the next place, our critics do not fcem fenfible that there is more beauty in the works of a great genius who i* ignorant of the ru'es of art, than in thole of a little genius who knows and obierves them. It is...
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The British Essayists: The Spectator

Alexander Chalmers - 1802 - 320 lehte
...not only knows but scrupulously observes them. In the next place, our critics do not seem sensible that there is more beauty in the works of a great genius, who is ignorant of the rules of art, than in those of a little genius who knows and observes them. It is of these men...
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The British essayists; with prefaces by A. Chalmers, 15. köide

British essayists - 1802 - 304 lehte
...arts, which is what we call the sublime in writing. In the next place, our critics do not seem sensible that there is more beauty in the works of a great genius, who is ignorant of the rules of art, than in those of a little genius who knows and observes them. It is of these men...
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Select British Classics, 18. köide

1803 - 342 lehte
...greater judgment shewn in deviating from the rules of art, than in adhering to them ; and, secondly, that there is more beauty in the works of a great genius who ia ignorant of the rules of art, than in the works of a little genius, who not only knows, but scrupulously...
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The Works of the Right Honourable Joseph Addison, 3. köide

Joseph Addison - 1804 - 498 lehte
...arts, which is what we call the sublime in writing. In the next place, our critics do not seem sensible that there is more beauty in the works of a great genius who is ignorant of the rules of art, than in those of a little genius who knows and observes them. It is of these men...
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The British Essayists;: Spectator

Alexander Chalmers - 1808 - 308 lehte
...sometimes a greater judgment shown in deviating from the rules of art than in adhering to them ; and, 2dly, that there is more beauty in the works of a great...of art. than in the works of a little genius, who no< only knows but scrupulously observes them. First, We may often take notice of men who> are perfectly...
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The Spectator; in Miniature: Being a Collection of the Principal ..., 1. köide

1808 - 306 lehte
...adhering to them ; and, Secondly, That there is more heauty in the works of a great genins, who it ignorant of all the rules of art, than in the works of n little genins, who not only knows, hut scrupuloosly ohserves them. First, We may often take notice...
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