instantly; a look passed, understood by both to be one of recognition, the sigh expressed only by the standing still of the eye. The time, the circumstances, were too solemn for more. A voice in the choir pronouncing, "Thou knowest, Lord, the secrets of our hearts," seemed to Julia a reproach, for the mingling of earthly feelings, which had already found a place in her bosom.

During the performance of the service, evening approached, and lights became necessary. The coffin had been placed on a platform in the centre of the church; the canopy had been removed, the pall taken off; the solemn scene, situated thus, immediately beneath the principal source of light, while all things else remained in comparative obscurity, had an effect, imposing in the highest degree. The numerous assembly of spectators, imperfectly

seen, the occasional gleaming of the arms and accoutrements of the soldiers,-the shadowy perspective of the aisles,-all became, tributary circumstances, lending additional impressiveness to the principal object.

There was at this time a total silence throughout the church. After some moments, the voice of the officiating clergyman was heard, singly, and solemnly, pronouncing the concluding sentences. And now, the words, "Earth to earth, ashes to ashes, dust to dust," fell on the senses with that chill, that shuddering, involuntary sympathy with the unconscious tenant of the grave, which instinct grants, while reason would withhold. startling sounds from without, of the discharge, by signal, of artillery, were heard at the moment, and Julia was aroused from meditation on the sleep of the grave, by the awful

The

thought of the last trumpet awaking the dead

to judgment.

When the firing ceased, the leading voice of the choir again arose, and floating over the solemn scene like some invisible dweller in its hallowed light, sang the inspired and inspiring words, "Blessed are the dead which die in the Lord! even so, saith the Spirit, for they rest from their labours.”

The organ pealed, and now a voice more solemn than the last, sang, or rather seemed to say, "His body is buried in peace!" An hundred voices at once broke forth in reply, triumphantly proclaiming, "But his name liveth evermore his name liveth evermore!"

CHAPTER III.

"My heart is not of yon rock, nor my soul
Careless as that sea, that lifts its wide waves
To every wind! If Fingall return not,
The grave shall hold Comala!"

As Lord Arandale's carriage returned that evening from the cathedral to Hanover-square, it was overtaken by a chariot and four, driving at the utmost speed that could be attempted in the streets of London. Some communication passed between the servants, and both equipages drew up. It being lamp light only,

and Lady Arandale's shoulder and hat, while her Ladyship shook hands with, and spoke to some invisible inmate of the other carriage, effectually blocking up the window on that side, Julia could not see any thing; but she heard the voice of Arthur, crying, "Good bye! Good bye!" And that of Lady Arandale saying, " But shall we not see you? Shall we not see you?'

The carriage, then, must be our hero's, and he must, by a look or shake of the head, have implied a negative; for Lady Arandale spoke again, saying, “Oh, I am sorry for that! Farewell, then! farewell! You're a good lad: Heaven bless you! Good bye, Arthur, my dear," she added, in a more careless tone. A hand, meanwhile, was stretched past Lady Arandale to offer the farewell grasp to those within the carriage.

Julia gave hers when

it came to her turn; and certainly, whether