A Classical Tour Through Italy, An. MDCCCII.

Front Cover
J. Mawman, 1821

From inside the book

Selected pages

Other editions - View all

Common terms and phrases

Popular passages

Page 371 - But o'er the twilight groves and dusky caves, Long-sounding aisles and intermingled graves, Black Melancholy sits, and round her throws A death-like silence, and a dread repose : Her gloomy presence saddens all the scene, Shades every flower, and darkens every green ; Deepens the murmur of the falling floods, And breathes a browner horror on the woods.
Page 369 - So on he fares, and to the border comes Of Eden, where delicious Paradise, Now nearer, crowns with her enclosure green, As with a rural mound, the champaign head Of a steep wilderness...
Page 369 - Insuperable height of loftiest shade, Cedar, and pine, and fir, and branching palm, A sylvan scene, and, as the ranks ascend Shade above shade, a woody theatre Of stateliest view.
Page 269 - Here patriots live, who, for their country's good, In fighting fields, were prodigal of blood: Priests of unblemish'd lives here make abode, And poets worthy their inspiring god; And searching wits, of more mechanic parts, Who grac'd their age with new-invented arts: Those who to worth their bounty did extend, And those who knew that bounty to commend.
Page 131 - Their religion teaches the pure morality of the gospel : they know full well that absolution is an empty form, unless preceded by thorough heart-felt, well tried repentance...
Page 53 - In other times and in other places, one single edifice, a temple, a theatre, a tomb, that had escaped the wreck of ages, would have enchanted us ; nay, an arch, the remnant of a wall, even one solitary column, was beheld with veneration ; but to discover a single ancient house, the abode of a Roman in his privacy, the scene of his domestic hours, was an object of fond, but hopeless longing. Here, not a temple...
Page 55 - It is clothed with corn, poplars, mulberries, and vines in their most luxuriant graces, waving from tree to tree, still covering the greater part of the city with vegetation, and forming with the dark brown masses half buried below, a singular and most affecting contrast. This scene of a city, raised...
Page 54 - Immediately above the buildings the ground rises, not into a cliff casting gloom, as the sides of a grave, on the hollow below, but as a gentle swell formed by nature to shelter the houses at its base. It is...
Page 363 - FtEsulae and the scenes which he so often contemplated with all the rapture of a poet, at the conclusion of his Rusticus, a subject which the genius of the place seems to have inspired. Hie resonat blando tibi pinus amata susurro ; •• Hie vaga coniferis insibilat aura cupressis : Hie scatebris salit, et bullantibus incita venis Pura coloratos interstrepit unda lapillos...
Page 371 - The darksome pines, that o'er yon rocks reclin'd, Wave high, and murmur to the hollow wind, The wandering streams that shine between the hills, The grots that echo to the tinkling rills, The dying gales that pant upon the trees, The lakes that quiver to the curling breeze...

Bibliographic information