Music and Theatre: Essays in Honour of Winton Dean

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Nigel Fortune
Cambridge University Press, 17. veebr 2005 - 408 pages
This volume of eleven essays, compiled as a tribute to Winton Dean on his seventieth birthday, focuses on that area which has absorbed Winton Dean's interest throughout his distinguished career: opera and other theatre music. The first half of the book covers the period from the late seventeenth century to the mid-eighteenth. The second half of the book ranges over later opera: operacomique; Mendelssohn's operas; the influence of Wagner; the finales of Janácek's operas; and Britten's first two major operas, Peter Grimes and The Rape of Lucretia.

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Contents

a serenata a tre voci?
31
George Is Venetian palace and theatre boxes in the 1720s
95
Vivaldis and Handels settings of Giustino
131
Handel and Charles Jennenss Italian opera manuscripts
159
aspects of a collaboration
203
an essay
229
Mendelssohns operas
263
Wagnerian tendencies in Italian opera
299
The cathartic slow waltz and other finale conventions
333
Grimes and Lucretia
353
A bibliography of the writings of Winton Dean
367
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