An Essay on the Writings and Genius of Pope, 1. köide

Abelard Addiſon addreſs almoſt alſo ancient beautiful becauſe beſt Boileau Cant cauſe character circumſtance cloſe compoſition Corneille critics deſcribed deſcription deſign diſplayed Domenichino Dryden elegant Eloiſa Engliſh epiſtle eſt Euripides excellent expreſſed faid fame fatire firſt folemn fome fublime genius himſelf hiſtory Iliad images imagination infert inſtance intereſting itſelf juſt juſtly laſt leſs Milton moſt muſic muſt nature numbers o'er obſervations occafion Ovid paffion paſſage paſſion pathetic perſon peruſal philoſophy piece pleaſing pleaſure poem poeſy poet poetical poetry POPE praiſes preſent preſerved publiſhed qu¿ Quintilian Racine raiſed reaſon repreſented reſemblance reſpect riſe ſaid ſame ſays ſcarcely ſcene ſecond ſeems ſeen ſentiments ſeveral ſhade ſhall ſhe ſhort ſhould ſmall ſome Sophocles ſpeak ſpecies ſpeech ſpirit ſtage ſtanza ſtate ſtill ſtory ſtrokes ſtrong ſtyle ſubject ſuch ſufficient ſuppoſed ſylphs taſte themſelves Theocritus theſe thoſe tion tragedy tranſlated univerſally uſed verſe Virgil Voltaire whoſe writing