Kit-cat Club, portraits of, 18.
Lake (Sir J. W.) 192.
Lee (Sir Henry) his dog, 60.
Lely (Sir Peter) 108, 109; his
account of Vandyck's practice,
112; his mode of painting, 113,
115, &c.

Le Sage, his Epitaph, 53.
Lilly, the Astrologer, 38.
Lockyer (Lionel) 51.
Luther, his talking and doing'
of Melancthon, Erasmus, and
himself, 163.

Maintenon (Madame de) 41, 42.
Maupertuis, 44, 45, &c.
Margins of prints, 204.
Marolles, Abbé de, 211.
Mary (Queen of Scots) 164.
Mason, his lines to Reynolds,

133.

Massinger (Philip) his portrait,

148.

Mathews (Charles) (the elder),

198.

Maurepas, Comte de, 60.
Middleton (A. B. Esq.) his de-

tection of Plagiarisms, 75, 78.
Mignard (Pierre) 41, 142.
Milton, Dryden's lines on, 38,

his verses on his own portrait,
162. [I believe it was Thomas
Byerley who first gave a rough
translation of these verses,
which he appears to have
found, in the handwriting of
the poet, on an impression of
the print. It would seem that
Milton, having received a
proof of the engraving, had
written on it the verses which
Marshall, supposing them to
be in some way eulogistic, then
engraved (as badly as the por-
trait) in ignorance of their
meaning! The portrait is pre-
fixed to the first edition of the
'Poems.']
Miniatures, 19, &c.
Montesquieu, his portrait, 96.

Pepys (Samuel) 32, 101, 104; his
portrait, 155, &c.
Peters (Hugh) 63.

Petty (Sir Wm. M.D.) 66, 67.
Physiognomy, 35, 36.
Pitt (Earl of Chatham) 30.
Plagiarisms, 73, &c. Theobald,
73; Butler; 74, Defoe, 76;
Gray, 79; Campbell, 84; Shak-
speare, 85; Goldsmith, 85, 87;
Percy, 86, &c.

Poole's "Synopsis," 126.
Pope's "Epistle to Mr. Jervas,"

129.

Portraits, their antiquity 2; pre-
fixed to books, 24; collections
of, 32; pleasures of, 33; en-
gravings of, 35; of Alexander,
20; Elizabeth, 92; woodcuts,
94; Charles XII. 98; Crom-
well, 100; Pepys, 162; Evelyn,
107; destiny of, 135; destroyed
by children, 137; no names to
many, 138; of Drs. Thomas,
Bishops of Salisbury, 139;
wanted, 142, 144; preserved by
engravings, 144; bad copies of,
157; Reynolds on, 159; finish'
in, 160; requisites, 158, 161;
false, 162; &c. without a head,
165; changed, 156, 168, 170;
value of engravings of, 168;
&c, when uninteresting, 215;
proposed public gallery of en-
graved, 217, &c. &c.

Suspended animation, cases of,
67, 69, notes.

Sutherland (A. H. Esq.) a Col-
lector, 196.

'Sympathetical power,' temp.
Charles II. 53.

Thomas, Bishops of Salisbury,

139.

Tickell, his verses on Charles I.
151.

Tillotson (Dr.) his portrait, by
Lely, 113.

Tradescant's Museum, (now in
the Ashmolean Museum at
Oxford), 14.

Trajan, his collection of por-
traits, 2.

Trance, cases of, 67, 69, notes
Transubstantiation, lines on by

Donne or Queen Elizabeth, 82.
Tulips, price given for, 11.
Van Dyck (Sir Anthony) his
letter to F. Junius, 39; his
'State,' 110; his method of
Painting, 111; his portrait of
Lanière, 113; of Lady Sidney,
125; verses to, 124, &c.
Varro, a collector of Portraits, 2.
Vico (Æneas) his list of collec-
tors of Medals, A.D. 1555, 2.
Vitellesco, his Statues, 16.
Voltaire, verses by, 44, 46.
Waller's Instructions to a Pain-
ter,' 123; his Verses to Van
Dyck,' 124.

·

Walpole (Horace) his minia-
tures, 19; anecdotes by, 30;
his disgust at Crebillon's con-
duct, 120.

Walton (Izaac) his portrait, 147.
Walton's Bible, the first book
'subscribed,' 126.

Wigs, 11.

Wilkins (John) Bishop of Ches-
ter, his bon mot, 133.
Williams (Sir C. H.) his faceti-

ous' Catalogue of Rarities,' 14.
Wilson (T. Esq.) his ' Illustrated'
Shakspeare, 197.