The Rhetoric of Confession: <i>Shishosetsu</i> in Early Twentieth-Century Japanese FictionUniversity of California Press, 1. sept 2023 - 364 pages The shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical nature of shishosetsu, and discusses its linguistic, literary and cultural contexts. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988. The shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical |
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Page xxiii
... artistic world , the narrator exercised his creative license , giving birth to fictional situations and characters answerable only to his authority and to the constraints of " realism , " a powerfully persuasive but nonetheless ...
... artistic world , the narrator exercised his creative license , giving birth to fictional situations and characters answerable only to his authority and to the constraints of " realism , " a powerfully persuasive but nonetheless ...
Page xxvi
... artistic sensibility nor indeed even to deny creativity in a certain sense , because the informed and informing hand is always at work in any artistic project . The artistic demands made on a writer were simply of a different nature ...
... artistic sensibility nor indeed even to deny creativity in a certain sense , because the informed and informing hand is always at work in any artistic project . The artistic demands made on a writer were simply of a different nature ...
Page 18
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Contents
3 | |
Language and the Illusion of Presence | 28 |
Shishosetsu Criticism and the Myth of Sincerity | 43 |
THE RISE OF A FORM | 71 |
Harbingers I Tokoku Doppo Hogetsu | 73 |
Harbingers II Katai Homei | 103 |
The Bundan Readers Writers Critics | 128 |
THREE APPROACHES TO EXPERIENCE | 147 |
Chikamatsu Shuko The Hero as Fool | 149 |
Shiga Naoya The Hero as Sage | 187 |
Kasai Zenzo The Hero as Victim | 248 |
The Shishosetsu Today | 290 |
Bibliography | 299 |
Index | 315 |
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Common terms and phrases
Akutagawa An'ya kōro argues artistic audience autobiographical bungaku career chapter character Chikamatsu Shūkō confession consciousness critics culture cycle Doppo emotional essay example fact father feelings first-person narration Futon Giwaku hero's Hōgetsu Hōmei Ibid Itō Japan Japanese literature junbungaku kare Kasai hero Kasai Zenzō kenkyū Kensaku Kindai Kobayashi Kobayashi Hideo Kume Masao Kunikida Doppo language later literary lived experience magazine Masamune Hakuchō Meiji modern Japanese mono Nakamura Mitsuo narrator-hero narrator's Natsume Sōseki naturalist nature never Nihon novel Osei Osuma Ōtsu reader reality relationship sense setsu Shiga Naoya Shimazaki Tōson shinkyō shinkyō shōsetsu Shirakaba shishō shishōsetsu writer shō shōsetsu ron shū Shūjaku sincerity social society Sōseki's story story's Taishō Taishō period Tanizaki Tayama Katai third-person thought tion Tōkoku Tokyo Tōson tradition truth Wakai Wakareta tsuma watakushi shōsetsu western western fiction writing written reportive style Yukioka zenshū