The Rhetoric of Confession: <i>Shishosetsu</i> in Early Twentieth-Century Japanese FictionUniversity of California Press, 1. sept 2023 - 364 pages The shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical nature of shishosetsu, and discusses its linguistic, literary and cultural contexts. |
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Page xv
... become someone else ; were one to succeed , the result would be of no interest ( since it would be a pure reproduc- tion of the initial discourse ) . By its very existence , the sci- ence of ethnology proves to us , if need be , that we ...
... become someone else ; were one to succeed , the result would be of no interest ( since it would be a pure reproduc- tion of the initial discourse ) . By its very existence , the sci- ence of ethnology proves to us , if need be , that we ...
Page 6
... becomes in this way a metonymy for what is in Japa- nese a continually variable communicative act . The narrator cannot even utter the word watakushi or boku or ore until he has posited a specific relationship with the narratee . The ...
... becomes in this way a metonymy for what is in Japa- nese a continually variable communicative act . The narrator cannot even utter the word watakushi or boku or ore until he has posited a specific relationship with the narratee . The ...
Page 7
... becoming " writing " in Barthes's sense and flaunts its " personal- ism " by encouraging the reader to disregard its textual boundaries and view " real " world and " fictional " world as an unbroken con- tinuum . The question of an ...
... becoming " writing " in Barthes's sense and flaunts its " personal- ism " by encouraging the reader to disregard its textual boundaries and view " real " world and " fictional " world as an unbroken con- tinuum . The question of an ...
Page 12
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Contents
3 | |
Language and the Illusion of Presence | 28 |
Shishosetsu Criticism and the Myth of Sincerity | 43 |
THE RISE OF A FORM | 71 |
Harbingers I Tokoku Doppo Hogetsu | 73 |
Harbingers II Katai Homei | 103 |
The Bundan Readers Writers Critics | 128 |
THREE APPROACHES TO EXPERIENCE | 147 |
Chikamatsu Shuko The Hero as Fool | 149 |
Shiga Naoya The Hero as Sage | 187 |
Kasai Zenzo The Hero as Victim | 248 |
The Shishosetsu Today | 290 |
Bibliography | 299 |
Index | 315 |
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Common terms and phrases
Akutagawa An'ya kōro argues artistic audience autobiographical bungaku career chapter character Chikamatsu Shūkō confession consciousness critics culture cycle Doppo emotional essay example fact father feelings first-person narration Futon Giwaku hero's Hōgetsu Hōmei Ibid Itō Japan Japanese literature junbungaku kare Kasai hero Kasai Zenzō kenkyū Kensaku Kindai Kobayashi Kobayashi Hideo Kume Masao Kunikida Doppo language later literary lived experience magazine Masamune Hakuchō Meiji modern Japanese mono Nakamura Mitsuo narrator-hero narrator's Natsume Sōseki naturalist nature never Nihon novel Osei Osuma Ōtsu reader reality relationship sense setsu Shiga Naoya Shimazaki Tōson shinkyō shinkyō shōsetsu Shirakaba shishō shishōsetsu writer shō shōsetsu ron shū Shūjaku sincerity social society Sōseki's story story's Taishō Taishō period Tanizaki Tayama Katai third-person thought tion Tōkoku Tokyo Tōson tradition truth Wakai Wakareta tsuma watakushi shōsetsu western western fiction writing written reportive style Yukioka zenshū