The Rhetoric of Confession: <i>Shishosetsu</i> in Early Twentieth-Century Japanese FictionThe shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical nature of shishosetsu, and discusses its linguistic, literary and cultural contexts. |
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Page ix
Irokawa's words astonished me not only for their directness but also because
they brought home to me a truism too easily ignored: that different cultures can
breed very different kinds of narrative and that our purpose as readers outside
the ...
Irokawa's words astonished me not only for their directness but also because
they brought home to me a truism too easily ignored: that different cultures can
breed very different kinds of narrative and that our purpose as readers outside
the ...
Page xv
Every work is rewritten by its reader, who imposes upon it a new grid of
interpretation for which he is not generally responsible but which comes to him
from his culture, from his time, in short from another discourse; all comprehension
is the ...
Every work is rewritten by its reader, who imposes upon it a new grid of
interpretation for which he is not generally responsible but which comes to him
from his culture, from his time, in short from another discourse; all comprehension
is the ...
Page 12
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Page 96
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Page 245
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Contents
3 | |
Language and the Illusion of Presence | 28 |
Shishosetsu Criticism and the Myth of Sincerity | 43 |
THE RISE OF A FORM | 71 |
Harbingers I Tokoku Doppo Hogetsu | 73 |
Harbingers II Katai Homei | 103 |
The Bundan Readers Writers Critics | 128 |
THREE APPROACHES TO EXPERIENCE | 147 |
Chikamatsu Shuko The Hero as Fool | 149 |
Shiga Naoya The Hero as Sage | 187 |
Kasai Zenzo The Hero as Victim | 248 |
The Shishosetsu Today | 290 |
Bibliography | 299 |
Index | 315 |
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Common terms and phrases
actually An'ya koro appear argues artistic audience authenticity autobiographical bungaku career chapter character Chikamatsu Shuko confession consciousness critics culture cycle depicted discussion Doppo emotional essay Estranged Wife example fact father feelings first-person narration Futon Giwaku hero's Hogetsu Ibid Iwano Homei Japan Japanese literature Japanese writers junbungaku kare Kasai hero Kasai Zenzo Kensaku Kindai Kobayashi Kobayashi Hideo Kume Kunikida Doppo language later literary lived experience magazine Masamune Hakucho Meiji modern Japanese Nakamura Mitsuo narrator-hero narrator's naturalist nature never novel Osei Osuma otoko published reader reality referential relationship sense setsu Shiga Naoya Shimazaki Toson shinkyo Shirakaba shisho shishosetsu writer shosetsu ron Shujaku sincerity social society Soseki's story story's Taisho Tanizaki Tayama Katai third-person thought tion Tokio Tokoku Tokuda Shusei Tokyo Toson tradition truth Wakai Wakareta tsuma watakushi shosetsu western western fiction writing written reportive style Yukioka zenshu