The Rhetoric of Confession: <i>Shishosetsu</i> in Early Twentieth-Century Japanese FictionThe shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical nature of shishosetsu, and discusses its linguistic, literary and cultural contexts. |
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It makes the best linguistic sense, moreover, as the narrating voice merges most
easily with that of the narrated subject — a feature of the Japanese language
generally. We shall see that the first- person or third-person shishosetsu, almost
by ...
It makes the best linguistic sense, moreover, as the narrating voice merges most
easily with that of the narrated subject — a feature of the Japanese language
generally. We shall see that the first- person or third-person shishosetsu, almost
by ...
Page xiv
Tokyo: Kadokawa Shoten, 1969-74. NKD Nihon Daijiten Kankokai, ed. Nihon
kokugo daijiten [Dictionary of the Japanese national language]. 20 vols. Tokyo:
Shogakukan, 1972-76. SNZ Shiga Naoya zenshu [Shiga Naoya: collected works]
.
Tokyo: Kadokawa Shoten, 1969-74. NKD Nihon Daijiten Kankokai, ed. Nihon
kokugo daijiten [Dictionary of the Japanese national language]. 20 vols. Tokyo:
Shogakukan, 1972-76. SNZ Shiga Naoya zenshu [Shiga Naoya: collected works]
.
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Contents
3 | |
Language and the Illusion of Presence | 28 |
Shishosetsu Criticism and the Myth of Sincerity | 43 |
THE RISE OF A FORM | 71 |
Harbingers I Tokoku Doppo Hogetsu | 73 |
Harbingers II Katai Homei | 103 |
The Bundan Readers Writers Critics | 128 |
THREE APPROACHES TO EXPERIENCE | 147 |
Chikamatsu Shuko The Hero as Fool | 149 |
Shiga Naoya The Hero as Sage | 187 |
Kasai Zenzo The Hero as Victim | 248 |
The Shishosetsu Today | 290 |
Bibliography | 299 |
Index | 315 |
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Common terms and phrases
actually An'ya koro appear argues artistic audience authenticity autobiographical bungaku career chapter character Chikamatsu Shuko confession consciousness critics culture cycle depicted discussion Doppo emotional essay Estranged Wife example fact father feelings first-person narration Futon Giwaku hero's Hogetsu Ibid Iwano Homei Japan Japanese literature Japanese writers junbungaku kare Kasai hero Kasai Zenzo Kensaku Kindai Kobayashi Kobayashi Hideo Kume Kunikida Doppo language later literary lived experience magazine Masamune Hakucho Meiji modern Japanese Nakamura Mitsuo narrator-hero narrator's naturalist nature never novel Osei Osuma otoko published reader reality referential relationship sense setsu Shiga Naoya Shimazaki Toson shinkyo Shirakaba shisho shishosetsu writer shosetsu ron Shujaku sincerity social society Soseki's story story's Taisho Tanizaki Tayama Katai third-person thought tion Tokio Tokoku Tokuda Shusei Tokyo Toson tradition truth Wakai Wakareta tsuma watakushi shosetsu western western fiction writing written reportive style Yukioka zenshu