The Rhetoric of Confession: <i>Shishosetsu</i> in Early Twentieth-Century Japanese FictionUniversity of California Press, 1. sept 2023 - 364 pages The shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical nature of shishosetsu, and discusses its linguistic, literary and cultural contexts. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1988. The shishosetsu is a Japanese form of autobiographical fiction that flourished during the first two decades of this century. Focusing on the works of Chikamatsu Shuko, Shiga Naoya, and Kasai Zenzo, Edward Fowler explores the complex and paradoxical |
From inside the book
Results 1-5 of 78
Page iv
... period , 1912-1926— History and criticism . I. Title . PL747.63.A85F6 1988 895.6'34'09 ISBN 0-520-07883-7 Printed in the United States of America 1 2 3 4 5 6 7 8 9 87-13879 The paper used in this publication meets the minimum ...
... period , 1912-1926— History and criticism . I. Title . PL747.63.A85F6 1988 895.6'34'09 ISBN 0-520-07883-7 Printed in the United States of America 1 2 3 4 5 6 7 8 9 87-13879 The paper used in this publication meets the minimum ...
Page xii
... period research . I benefited enormously from support provided by the staffs of the following libraries and archives : the Nihon Kindai Bungaku- kan , the Kokubungaku Kenkyu Shiryokan , the Meiji Bunko , the Toritsu Chuo Toshokan , and ...
... period research . I benefited enormously from support provided by the staffs of the following libraries and archives : the Nihon Kindai Bungaku- kan , the Kokubungaku Kenkyu Shiryokan , the Meiji Bunko , the Toritsu Chuo Toshokan , and ...
Page xvi
... period under discussion begins roughly with the publica- tion of Tayama Katai's Futon ( 1907 ) , commonly regarded as the prototypical shishosetsu , and ends with the form's clear emergence into the literary world's critical ...
... period under discussion begins roughly with the publica- tion of Tayama Katai's Futon ( 1907 ) , commonly regarded as the prototypical shishosetsu , and ends with the form's clear emergence into the literary world's critical ...
Page xvii
... is easily confused with the well - known Edo - period dramatist . Customary Japanese usage is adhered to in all instances . through a willful misreading in which certain deeply ingrained hermeneutical Introduction xvii.
... is easily confused with the well - known Edo - period dramatist . Customary Japanese usage is adhered to in all instances . through a willful misreading in which certain deeply ingrained hermeneutical Introduction xvii.
Page xxii
... period ( 1868-1912 ) . After studying western politics , economics , law , science , and society , the Japanese studied literature as well , ever conscious of the standard it provided native writers . Japanese critics soon took to ...
... period ( 1868-1912 ) . After studying western politics , economics , law , science , and society , the Japanese studied literature as well , ever conscious of the standard it provided native writers . Japanese critics soon took to ...
Contents
3 | |
Language and the Illusion of Presence | 28 |
Shishosetsu Criticism and the Myth of Sincerity | 43 |
THE RISE OF A FORM | 71 |
Harbingers I Tokoku Doppo Hogetsu | 73 |
Harbingers II Katai Homei | 103 |
The Bundan Readers Writers Critics | 128 |
THREE APPROACHES TO EXPERIENCE | 147 |
Chikamatsu Shuko The Hero as Fool | 149 |
Shiga Naoya The Hero as Sage | 187 |
Kasai Zenzo The Hero as Victim | 248 |
The Shishosetsu Today | 290 |
Bibliography | 299 |
Index | 315 |
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Common terms and phrases
Akutagawa An'ya kōro argues artistic audience autobiographical bungaku career chapter character Chikamatsu Shūkō confession consciousness critics culture cycle Doppo emotional essay example fact father feelings first-person narration Futon Giwaku hero's Hōgetsu Hōmei Ibid Itō Japan Japanese literature junbungaku kare Kasai hero Kasai Zenzō kenkyū Kensaku Kindai Kobayashi Kobayashi Hideo Kume Masao Kunikida Doppo language later literary lived experience magazine Masamune Hakuchō Meiji modern Japanese mono Nakamura Mitsuo narrator-hero narrator's Natsume Sōseki naturalist nature never Nihon novel Osei Osuma Ōtsu reader reality relationship sense setsu Shiga Naoya Shimazaki Tōson shinkyō shinkyō shōsetsu Shirakaba shishō shishōsetsu writer shō shōsetsu ron shū Shūjaku sincerity social society Sōseki's story story's Taishō Taishō period Tanizaki Tayama Katai third-person thought tion Tōkoku Tokyo Tōson tradition truth Wakai Wakareta tsuma watakushi shōsetsu western western fiction writing written reportive style Yukioka zenshū