An Essay on the Genius and Writings of Pope ...R. and J. Dodsley, 1762 |
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Page 11
... particularly in the exalted prophefy of Isaiah , which POPE has fo fuccefsfully verfified in an Eclogue , that inconteftably furpaffes the Pollio of Virgil : although perhaps the dig- nity , the energy , and the fimplicity of the ...
... particularly in the exalted prophefy of Isaiah , which POPE has fo fuccefsfully verfified in an Eclogue , that inconteftably furpaffes the Pollio of Virgil : although perhaps the dig- nity , the energy , and the fimplicity of the ...
Page 20
... particularly , * See particularly , ver . 151 . Round Round broken columns clasping ivy twin'd , O'er heaps of 20 ESSAY ON THE GENIUS SECT. II. ...
... particularly , * See particularly , ver . 151 . Round Round broken columns clasping ivy twin'd , O'er heaps of 20 ESSAY ON THE GENIUS SECT. II. ...
Page 24
... particularly the magnificent lake and cascade , highly deserve to be celebrated by fome future POPE ; and would have contributed not a little to the beauty of the poem now before us . bleffings bleffings of peace . * OLD FATHER THAMËS ...
... particularly the magnificent lake and cascade , highly deserve to be celebrated by fome future POPE ; and would have contributed not a little to the beauty of the poem now before us . bleffings bleffings of peace . * OLD FATHER THAMËS ...
Page 28
... particularly famous for its long fucceffion of Incas , and Mexico for many magnificent works of maffy gold , there is great propriety in fixing the restoration of the grandeur of each to that object , for which each was once fo ...
... particularly famous for its long fucceffion of Incas , and Mexico for many magnificent works of maffy gold , there is great propriety in fixing the restoration of the grandeur of each to that object , for which each was once fo ...
Page 29
... particularly , malefuada is only ap- plied to FAMES , instead of a word that might represent the meagre and ghaftly figure in- tended . I make no fcruple of adding , that in this famous paffage , Virgil has exhibited no images fo lively ...
... particularly , malefuada is only ap- plied to FAMES , instead of a word that might represent the meagre and ghaftly figure in- tended . I make no fcruple of adding , that in this famous paffage , Virgil has exhibited no images fo lively ...
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An Essay on the Genius and Writings of Pope, Vol. 2 (Classic Reprint) Joseph Warton No preview available - 2016 |
Common terms and phrases
Abelard Addiſon alfo almoſt alſo ancient beautiful becauſe beſt Boileau Cant character circumſtances compofition Corneille criticiſm defcribed defign deſcription diſplayed Domenichino Dryden Eclogue Effay elegant Eloifa Engliſh epiftles eſpecially Euripides excellent expreffion exquifite faid fame fatire fays fecond feem fentiments fhall firft firſt folemn fome fpeaks fpecies fpirit ftanza fubject fublime fuch fufficient fylphs genius greateſt himſelf hiſtory Homer Iliad images imagination inferted inftance itſelf Jane Shore juſt laft laſt Milton moft moſt mufic muſt nature numbers o'er obfervations occafion Ovid paffage paffion pathetic perfon Petrarch piece Pindar pleaſe pleaſure poefy poem poet poetical poetry POPE praiſes preſent profe publiſhed Quintilian Racine raiſe reafon repreſent reſemblance reſpect Sappho ſay ſcene ſeems ſhall ſhe ſhould ſome Sophocles ſpeak ſtate ſtory ſtrokes ſtrong ſtyle ſuch taſte themſelves Theocritus theſe thofe thoſe tions tragedy tranflated uſed verfe verſes Virgil Voltaire whofe whoſe writing
Popular passages
Page 40 - Pollute with sinful blame, The saintly veil of maiden white to throw; Confounded, that her Maker's eyes Should look so near upon her foul deformities.
Page 225 - Where the bee sucks, there suck I; In a cowslip's bell I lie: There I couch when owls do cry. On the bat's back I do fly, After summer, merrily : Merrily, merrily, shall I live now, Under the blossom that hangs on the bough.
Page 310 - How oft, when press'd to marriage, have I said, Curse on all laws but those which love has made! Love, free as air, at sight of human ties, Spreads his light wings, and in a moment flies...
Page 314 - Ah no! instruct me other joys to prize, With other beauties charm my partial eyes, Full in my view set all the bright abode, And make my soul quit Abelard for God.
Page 134 - ... faces to make one excellent. Such personages, I think, would please nobody but the painter that made them ; not but I think a painter may make a better face than ever was ; but he must do it by a kind of felicity, (as a musician that maketh an excellent air in music,) and not by rule.
Page 38 - The oracles are dumb; No voice or hideous hum Runs through the arched roof in words deceiving. Apollo from his shrine Can no more divine, With hollow shriek the steep of Delphos leaving: No nightly trance or breathed spell Inspires the pale-eyed priest from the prophetic cell.
Page 13 - See a long race thy spacious courts adorn ; See future sons, and daughters yet unborn, In crowding ranks on every side arise, Demanding life, impatient for the skies ! See barbarous nations at thy gates attend, Walk in thy light, and in thy temple bend...
Page 184 - But see! each Muse, in Leo's golden days, Starts from her trance, and trims her wither'd bays! Rome's ancient Genius, o'er its ruins spread, Shakes off the dust, and rears his rev'rend head. Then Sculpture and her sister-arts revive; Stones leap'd to form, and rocks began to live; With sweeter notes each rising Temple rung; A Raphael painted, and a Vida sung.
Page 97 - The Art of Criticism, which was published some months since, and is a master-piece in its kind. The observations follow one another like those in Horace's Art of Poetry, without that methodical regularity which would have been requisite in a prose author.
Page 153 - Where a new world leaps out at his command, And ready nature waits upon his hand ; When the ripe colours soften and unite, And sweetly melt into just shade and light ; When mellowing years their full perfection give( And each bold figure just begins to live, The treacherous colours the fair art betray, And all the bright creation fades away...