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an Imitation of the First Satire of the Second Book of Horace. In this last, he attacks, in the most brutal style, his former love, Lady Mary W. Montague, who replied in a piece of coarse cleverness, entitled, "Verses to the Imitator of the First Satire of the Second Book of Horace,"-verses in which she was assisted by Lord Harvey, another of Pope's victims. He wrote, but was prudent enough to suppress, an ironical reply.

In 1734 appeared his very clever and highly-finished epistle to Dr Arbuthnot (now entitled the "Prologue to the Satires"), who was then languishing toward death. Arbuthnot, from his deathbed, solemnly advised Pope to regulate his satire, and seems to have been afraid of his personal safety from his numerous foes. Pope replied in a manly but selfdefensive style. He is said about this time to have in his walks carried arms, and had a large dog as his protector; but none of the dunces had courage enough to assail him. Dennis, who was no dunce, might have ventured on it--but he had become miserably infirm, poor, and blind; and Pope had heaped coals of fire on his head, by contributing a Prologue to a play which was acted for his behoof.

Our author's life becomes now little else than a record of multiplying labours and increasing infirmities. In 1734 appeared the fourth part of the "Essay on Man," and the Second Satire of the Second Book of Horace. In 1735 were issued his "Characters of Women: An Epistle to a Lady" (Martha Blount). In this appears his famous character of Atossa-the Duchess of Marlborough. It is said—we fear too truly that these lines being shewn to her Grace, as a character of the Duchess of Buckingham, she recognised in them her own likeness, and bribed Pope with a thousand pounds to suppress it. He did so religiously-as long as she was alive and then published it! In the same year he printed a second volume of his "Miscellaneous Works," in folio and quarto, uniform with the "Iliad" and "Odyssey," including a versification of the Satires of Donne; also, anonymously, a production disgraceful to his memory, entitled, "Sober Advice from Horace to the Young Gentlemen about

Town," in which he commits many gross indecorums of language, and annexes the name of the great Bentley to several indecent notes. It is said that Bentley, when he read the pamphlet, cried, ""Tis an impudent dog, but I talked against his Homer, and the portentous cub never forgives."

The "Essay on Man" and the "Moral Epistles" were designed to be parts of a great system of ethics, which Pope had long revolved in his mind, and wished to incarnate in poetry. At this time occurred the strange, mysterious circumstances connected with the publication of his letters. It seems that, in 1729, Pope had recalled from his correspondents the letters he had written them, of many of which he had kept no copies. He was induced to this by the fact, that after Henry Cromwell's death, his mistress, Mrs Thomas, who was in indigent circumstances, had sold the letters which had passed between Pope and her keeper, to Curll the bookseller, who had published them without scruple. When Pope obtained his correspondence, he, according to his own statement, burned a great many and laid past the others, after having had a copy of them taken, and deposited in Lord Oxford's library. And his charge against Curll was, that he obtained surreptitiously some of these letters, and published them without Pope's consent. But, ere we come to the circumstances of the publication, several other things require to be noticed. In 1733, Curll, anxious to publish a Life of Pope, advertised for information; and, in consequence, one P. T., who professed to be an old friend of Pope's and his father's, wrote Curll a letter, giving an account of Pope's ancestry, which tallied exactly with what Pope himself, in a note to one of his poems, furnished the following year. P. T., in a second letter, offered to the publisher a large collection of Pope's letters, and inclosed a copy of an advertisement he had drawn out to be published by Curll. Strange as it seems, Curll took no notice of the proposal till 1735, when, having accidentally turned up a copy of P. T.'s advertisement, he sent it to Pope, with a letter requesting an interview, and mentioning that he had some papers of P. T.'s in reference to his family history, which he would shew him. Pope replied

by three advertisements in the papers, denying all knowledge of P. T. or his collection of letters or MSS. P. T. then wrote Curll that he had printed the letters at his own expense, seeking a sum of money for them, and appointing an interview at a tavern to shew him the sheets. This was countermanded the next day, P. T. professing to be afraid of Pope and his bravoes," although how Pope was to know of this meeting was, according to Curll, "the cream of the jest."

Soon after, a round, fat man, with a clergyman's gown and a barrister's band, called on Curll, at ten o'clock at night. He said his name was Smith, that he was a cousin of P. T.'s, and shewed the book in sheets, along with about a dozen of the original letters. After a good deal of negotiation with this personage, Curll obtained fifty copies of P. T.'s printed copies, and issued a flaming advertisement announcing the publication of Pope's letters for thirty years, and stating that the original MSS. were lying at his shop, and might be seen by any who chose,-although not a single MS. seems to have been delivered. Smith, the day that the advertisement appeared, handed over, for a sum of money, about three hundred volumes. to Curll. But as in the advertisement it was stated that various letters of lords were included, and as there is a law amongst regulations of the Upper House that no peer's letters can be published without his consent, at the instance of the Earl of Jersey, and in consequence, too, of an advertisement of Pope's, the books were seized, and Curll, and the printer of the paper where the advertisement appeared, were ordered to appear at the bar for breach of privilege. P. T. wrote Curll to tell him to conceal all that passed between him and the publisher, and promising him more valuable letters still. Curll, however, told the whole story; and as, when the books were examined, not a single lord's letter was found among them, Curl was acquitted, his books restored to him, the lords saying that they had been made the tools of Pope; and he proceeded to advertise the correspondence, in terms most insulting to Pope, who now felt himself compelled (!) to print, by subscription, his genuine letters, which, when printed, turned out, strange to tell, to be identical with those published by the rapacious bookseller!

On viewing the whole transaction, we incline with Johnson, Warton, Bowles, Macaulay, and Carruthers, to look look upon it as one of Pope's ape-like stratagems-to believe that P. T. was himself, Smith his agent, and that his objects were partly to outwit Curll, to mystify the public, to gratify that strange love of manoeuvring which dwelt as strongly in him as in any match-making mamma, and to attract interest and attention to the genuine correspondence when it should appear. Pope, it was said, could not "drink tea without a stratagem," and far less publish his correspondence without a series of contemptible tricks-tricks, however, in which he was true to his nature—that being a curious compound of the woman and the wit, the monkey and the genius.*

In 1737, four of his Imitations of Horace were published, and in the next year appeared two Dialogues, each entitled "1738," which now form the Epilogue to the Satires. One of them was issued on the same day with Johnson's "London." In that year, too, he published his "Universal Prayer,”—a singular specimen of latitudinarian thought, expressed in a loose simplicity of language, quite unusual with its author. The next year he had intended to signalise by a third Dialogue, which he commenced in a vigorous style, but which he did not finish, owing to the dread of a prosecution before the Lords; and with the exception of letters (one of them interesting, as his last to Swift), his pen was altogether idle. In 1740, he did nothing but edit an edition of select Italian Poets. This year, Crousaz, a Swiss professor of note, having attacked (we think most justly) the "Essay on Man" as a mere Pagan prolusion-a thin philosophical smile cast on the Gordian knot of the mystery of the universe, instead of a sword cutting, or trying to cut, it in sunder-Warburton, a man of much talent and learning, but of more astuteness and anxiety to exalt himself, came forward to the rescue, and, with a mixture of casuistical cunning and real ingenuity, tried, as some one has it, "to make Pope a Christian," although, even in

* We may mention that Roscoe and Dr Croly (in his admirable Life of Pope, prefixed to an excellent edition of his works) take a different view, and defend the poet.

Warburton's hands, like the dying Donald Bane in "Waverley," he "makes but a queer Christian after all;" and his system, essentially Pantheistic, contrives to ignore the grand Scripture principles of a Fall, of a Divine Redeemer, of a Future World, and the glorious light or darkness which these and other Christian doctrines cast upon the Mystery of Man. If, however, Warburton, with all his scholastic subtlety, failed to make Pope a Christian, he made him a warm friend; Allen, Pope's acquaintance, a rich father-in-law; and himself, by and by, the Bishop of Gloucester. Sophistry has seldom, although sometimes, been thus richly rewarded.

The last scene of Pope's tiny and tortured existence was now at hand. But ere it closed, it must close like Dryden's, characteristically, with an author's quarrel. Colley Cibber had long been a favourite of Pope's ire, and had as often retorted scorn, till at last, by laughing upon the stage at Pope's play (partly Gay's), entitled, "Three Hours After Marriage," he roused the bard almost to frenzy; and Pope set to work to remodel "The Dunciad;" and, dethroning Theobald, set up Cibber as the lawful King of the Dull,—a most unfortunate substitution, since, while Theobald was the ideal of stolid, solemn stupidity, Cibber was gay, light, pert, and clever; full of pluck, too, and who overflowed in reply, with pamphlets which gave Pope both a headache and a heartache whenever he perused them.

Pope had never been strong, and for many years the variety and multitude of his frailties had been increasing. He had habitually all his life been tormented with headaches, for which he found the steam of strong coffee the chief remedy. He had hurt his stomach, too, by indulging in excess of stimulating viands, such as potted lampreys, and in copious and frequent drams. He was assailed at last by dropsy and asthma; and on the 30th of May 1744, he breathed his last, fifty-six years of age. He had long, he said, "been tired of the world," and died with philosophic composure and serenity. He took the sacrament according to the form of the Roman Catholic Church; but merely, he said, because it "looked right." A little before his death, he called for his desk, and began an essay on

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