Crisis and Creativity in the New Literatures in EnglishGeoffrey V. Davis, Hena Maes-Jelinek Rodopi, 1990 - 529 pages |
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Page 73
... feel or write poetry like a white man , much less serve him . And to become mulattos , black people literally have to be fucked ( and fucked up ) first . Which brings us back to the pornography of Empire . I feel that I am different ...
... feel or write poetry like a white man , much less serve him . And to become mulattos , black people literally have to be fucked ( and fucked up ) first . Which brings us back to the pornography of Empire . I feel that I am different ...
Page 158
... feel " sad , that she doesn't use her own languages as much as she could , " and does think that somewhere along the line , she's " missing out on a rich cultural heritage . " As to the English used in the magazine she edits , as long ...
... feel " sad , that she doesn't use her own languages as much as she could , " and does think that somewhere along the line , she's " missing out on a rich cultural heritage . " As to the English used in the magazine she edits , as long ...
Page 167
... feel that it is somehow a necessary technical instrument for advancement . Then there are those further along the continuum , who belong to India's post- independence generations , many of whom feel alienated from the majority of their ...
... feel that it is somehow a necessary technical instrument for advancement . Then there are those further along the continuum , who belong to India's post- independence generations , many of whom feel alienated from the majority of their ...
Contents
Mudrooroo NAROGIN Colin JOHNSON | 3 |
Wilson HARRIS | 9 |
Edward Kamau BRATHWAITE | 23 |
Copyright | |
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Aboriginal African alien appears attitudes Australian become beginning British called Caribbean century character colonial comes Commonwealth concern created Creole critical culture death described dominant English European example experience expression fact feel fiction fragments further give given hand human identity important Indian kind land language linguistic literary literature live London look major meaning mind mother narrative narrator nature never Ngugi wa Thiong'o novel original past person play poem poet poetry political present Press published reader reality recent reference seems seen sense social society speak story suggests symbol talk things tradition University voice West Western whole woman women writers writing written