Crisis and Creativity in the New Literatures in EnglishGeoffrey V. Davis, Hena Maes-Jelinek Rodopi, 1990 - 529 pages |
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Page 314
... past - and that the author's individual past and its past social and cultural context are in fact the same past . In one sense this is true , but in examining autobiographical works it is important to make a distinction between the two ...
... past - and that the author's individual past and its past social and cultural context are in fact the same past . In one sense this is true , but in examining autobiographical works it is important to make a distinction between the two ...
Page 315
... past , are shown in dif- ferent lights ; their actions , motives and thoughts are told and interpreteted differently in each draft . Which of the different details is correct ? Which action is the authentic one ? Which interpretation is ...
... past , are shown in dif- ferent lights ; their actions , motives and thoughts are told and interpreteted differently in each draft . Which of the different details is correct ? Which action is the authentic one ? Which interpretation is ...
Page 449
... past , but it may also define the past . " The inventive vigour of Brathwaite's language gives new force to the device and draws filigree maps of future possibilities . „ 2 3 In his work , as in that of Wilson Harris , time is a ...
... past , but it may also define the past . " The inventive vigour of Brathwaite's language gives new force to the device and draws filigree maps of future possibilities . „ 2 3 In his work , as in that of Wilson Harris , time is a ...
Contents
Mudrooroo NAROGIN Colin JOHNSON | 3 |
Wilson HARRIS | 9 |
Edward Kamau BRATHWAITE | 23 |
Copyright | |
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Aboriginal African alien appears attitudes Australian become beginning British called Caribbean century character colonial comes Commonwealth concern created Creole critical culture death described dominant English European example experience expression fact feel fiction fragments further give given hand human identity important Indian kind land language linguistic literary literature live London look major meaning mind mother narrative narrator nature never Ngugi wa Thiong'o novel original past person play poem poet poetry political present Press published reader reality recent reference seems seen sense social society speak story suggests symbol talk things tradition University voice West Western whole woman women writers writing written