Crisis and Creativity in the New Literatures in EnglishGeoffrey V. Davis, Hena Maes-Jelinek Rodopi, 1990 - 529 pages |
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Page 364
... reality can be approached . His subversive position is , however , only recognized by a few critics . The reception of Rushdie can be roughly divided into three categories : one that focuses on the literariness of the text , one that ...
... reality can be approached . His subversive position is , however , only recognized by a few critics . The reception of Rushdie can be roughly divided into three categories : one that focuses on the literariness of the text , one that ...
Page 379
... reality but rather an exclusive " essential " reality built up from the information , associations and emotions directly supplied by the narrator , who uses his full authorial competence to guide our imaginations . Like Forster , who ...
... reality but rather an exclusive " essential " reality built up from the information , associations and emotions directly supplied by the narrator , who uses his full authorial competence to guide our imaginations . Like Forster , who ...
Page 442
... reality of death , the smashing of your head to pulp during the dawn of the tenth of November . " This seems evasive : the brutality of death is subordinated to an ironical and " rhapsodic " tone . But Ihimaera is not finished yet . The ...
... reality of death , the smashing of your head to pulp during the dawn of the tenth of November . " This seems evasive : the brutality of death is subordinated to an ironical and " rhapsodic " tone . But Ihimaera is not finished yet . The ...
Contents
Mudrooroo NAROGIN Colin JOHNSON | 3 |
Wilson HARRIS | 9 |
Edward Kamau BRATHWAITE | 23 |
Copyright | |
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Aboriginal African alien appears attitudes Australian become beginning British called Caribbean century character colonial comes Commonwealth concern created Creole critical culture death described dominant English European example experience expression fact feel fiction fragments further give given hand human identity important Indian kind land language linguistic literary literature live London look major meaning mind mother narrative narrator nature never Ngugi wa Thiong'o novel original past person play poem poet poetry political present Press published reader reality recent reference seems seen sense social society speak story suggests symbol talk things tradition University voice West Western whole woman women writers writing written