The Works of John Dryden: Poetical worksW. Paterson, 1892 |
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Page 4
... king of horned floods , whose plenteous urn Suffices fatness to the fruitful corn , For this thy kind compassion of our woes , Shalt share my morning song , and evening vows . But , oh ! be present to thy people's aid , 105 And firm the ...
... king of horned floods , whose plenteous urn Suffices fatness to the fruitful corn , For this thy kind compassion of our woes , Shalt share my morning song , and evening vows . But , oh ! be present to thy people's aid , 105 And firm the ...
Page 5
... king and prince , without the city gates , Then paid their offerings in a sacred grove To Hercules , the warrior son of Jove . Thick clouds of rolling smoke involve the skies , And fat of entrails on his altar fries . * The translation ...
... king and prince , without the city gates , Then paid their offerings in a sacred grove To Hercules , the warrior son of Jove . Thick clouds of rolling smoke involve the skies , And fat of entrails on his altar fries . * The translation ...
Page 6
... king's relief . " Struck with so great a name , and all on fire , The youth replies : - " Whatever you require , Your fame exacts . Upon our shores descend , A welcome guest , and , what you wish , a friend . ” He said , and , downward ...
... king's relief . " Struck with so great a name , and all on fire , The youth replies : - " Whatever you require , Your fame exacts . Upon our shores descend , A welcome guest , and , what you wish , a friend . ” He said , and , downward ...
Page 8
... spoke Evander to his royal guest : - 66 These rites , these altars , and this feast , O king , From no vain fears or superstition spring , 215 220 225 230 235 240 245 Or blind devotion , or from blinder chance , Or 8 BOOK VIII . ENEÏS .
... spoke Evander to his royal guest : - 66 These rites , these altars , and this feast , O king , From no vain fears or superstition spring , 215 220 225 230 235 240 245 Or blind devotion , or from blinder chance , Or 8 BOOK VIII . ENEÏS .
Page 13
... kings . Then thus the founder of the Roman towers : - " These woods were first the seat of sylvan powers , Of Nymphs and Fauns , and savage men , who took Their birth from trunks of trees and stubborn oak . 395 400 405 410 415 425 430 ...
... kings . Then thus the founder of the Roman towers : - " These woods were first the seat of sylvan powers , Of Nymphs and Fauns , and savage men , who took Their birth from trunks of trees and stubborn oak . 395 400 405 410 415 425 430 ...
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Common terms and phrases
Æneas ancients appear Arcadian Aristotle arms Ascanius audience Ausonian bear Ben Jonson betwixt blank verse blood breast comedy coursers Crites dare dart death Dryden edition English Eugenius eyes falchion fame fatal fate father fault favour fear field fierce fight fire flames flies flood foes fool force French friends goddess gods grace ground hand haste head heaven hero honour humour Jonson Jove Juturna king labour lance Latian Lausus Lisideius Lord Messapus Mezentius mind Mnestheus muse nature never numbers o'er Pallas passions peace persons plain play pleased plot poem poesy poet poetry prince rage rest rhyme Rutulians satire scene Sejanus sense Shakespeare shield sight Silent Woman Sir Robert Howard sire slain Sophocles soul sound spear stage sword Tarchon thee thou thought town tragedy trembling Trojan troops Turnus Tuscan Virgil vows winds words wound writ write youth
Popular passages
Page 346 - He was the man who of all modern, and perhaps ancient poets, had the largest and most comprehensive soul, All the images of Nature were still present to him, and he drew them, not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too.
Page 326 - ... the hero of the other side is to drive in before him; or to see a duel fought and one slain with two or three thrusts of the foils, which we know are so blunted that we might give a man an hour to kill another in good earnest with them. "I have observed that in all our tragedies the audience cannot forbear laughing when the actors are to die; 'tis the most comic part of the whole play.
Page 284 - The drift of the ensuing discourse was chiefly to vindicate the honour of our English writers from the censure of those who unjustly prefer the French before them.
Page 295 - ... every age has a kind of universal genius, which inclines those that live in it to some particular studies : the work then being pushed on by many hands, must of necessity go forward.
Page 287 - After they had attentively listened, till such time as the sound by little and little went from them, Eugenius, lifting up his head and taking notice of it, was the first who congratulated to the rest that happy omen of our nation's victory, adding that we had but this to desire in confirmation of it, that we might hear no more of that noise which was now leaving the English coast.
Page 334 - A continued gravity keeps the spirit too much bent; we must refresh it sometimes, as we bait in a journey, that we may go on with greater ease.
Page 348 - Ben Jonson derived from particular persons, they made it not their business to describe : they represented all the passions very lively, but above all, love. I am apt to believe the English language in them arrived to its highest perfection ; what words have since been taken in are rather superfluous than necessary.
Page 298 - ... that the time of the feigned action, or fable of the play, should be proportioned as near as can be to the duration of that time in which it is represented...
Page 371 - I answer you, therefore, by distinguishing betwixt what is nearest to the nature of comedy, which is the imitation of common persons and ordinary speaking, and what is nearest the nature of a serious play: this last is, indeed, the representation of Nature, but 'tis Nature wrought up to a higher pitch.
Page 345 - First, That we have many Plays of ours as regular as any of theirs; and which, besides, have more variety of Plot and Characters: And secondly, that in most of the irregular Plays of Shakespeare or Fletcher, (for Ben. Johnson's are for the most part regular) there is a more masculine fancy and greater spirit in the writing, than there is in any of the French.