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A waving gloom the bloomy beds display,
Blushing in bright diversities of day,
With silver-quivering rills meander'd o'er
Enjoy them, you ! Villario can no more :
Tired of the scene parterres and fountains yield,
Ile finds at last he better likes a field.

Through his young woods how pleased Sabinus
Or sat delighted in the thickening shade, (stray'd,
With annual joy the reddening shoots to groet,
Or see the stretching branches long to meet !
His son's fine taste an opener vista loves,
Foe to the Dryads of his father's groves !
One boundless green, or flourish'd carpet view,
With all the mournful family of yews :
The thriving plants ignoble broomsticks made,
Now sweep those alleys they were born to shade.
At Timon's villa let us pass a day,

99 Where all cries out, “What sums are thrown away! So proud, so grand; of that stupendous air, Soft and agreeable come never there. Greatness, with Timon, dwells in such a drought As brings all Brobdignag before your thought. To compass this, his building is a town, His pond an ocean, his parterre a down: Who but must laugh, the master when he sees, A puny insect, shivering at a breeze ! Lo, what huge heaps of littleness around ! The whole a labour'd quarry above ground. 110 Two Cupids squirt before ; a lake behind Improves the keenness of the northern wind. His gardens next your admiration call, On every side you look, behold the wall! No pleasing intricacies intervene, No artful wildness to perplex the scene : Grove nods at grove, each alley has a brother, And half the platform just reflects the other. The suffering eye inverted nature sees, Trees cut to statues, statues thick as trees;


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Wi ?re a fountain never to be play'd,

ere a summer-house that knows no shade ;
Io mphitrite sails through myrıle bowers;
Otec gladiators fight, or die in tlowers;
Inwater'd see the drooping sea-horse mourn,
And swallows roost in Nilus' dusty urn.

My lord advances with majestic mien,
Smit with the mighty pleasure to be seen:
But sofi--by regular approach--not yet-
First through the length of yon hot terrace sweat! 130
And when up ten steep slopes you 've dragged your
Just at his study door he'll bless your eyes. (thighs,

His study! with what authors is it stored ?
In books, not authors, curious is my lord ;
To all their dated backs he turns you round;
These Aldus printed, those Du Sueil has bound!
Lo, some are vellum, and the rest as good,
for all his lordship knows, but they are wood!
For Locke or Milton, 'tis in vain to look :
These shelves admit not any modern book.

And now the chapel's silver bell you hear,
That summons you to all the pride of prayer:
Light quirks of music, broken and uneven,
Make the soul dance upon a jig to heaven.
On painted ceilings you devoutly stare,
Where sprawl the saints of Verrio or Laguerre.
Or gilded clouds in fair expansion lie,
And bring all Paradise before your eye.
To rest, the cushion and soft dean invite,
Who never mentions hell to ears polite.

150 But, hark! the chiming clocks to dinner call A hundred footsteps scrape the marble hall: The rich buffet well-colour'd serpents grace, And gaping Tritons spew to wash your face. Is this a dinner? this a genial room? No, 'tis a temple, and a hecatomb. A solemn sacrifice perform'd in state : You drink by measure, and to minutes eal

So quick requires each Aying course, you 'd swear
Sancho's dead doctor and his wand were there. 160
Between each act the trembling salvers ring,
From soup tu sweet wine, and God bless the king.
In plenty starving, tantalized in state,
And complaisantly help'd to all I hate,
Treated, caress'd, and tired, I take my leave,
Sick of his civil pride from morn to eve;
I curse such lavish cost and little skill,
And swear no day was ever pass'd so ill.

Yet hence the poor are clothed, the hungry fed ;
Health to himself, and to his infants bread, 170
The labourer bears : what his hard heart denies,
His charitable vanity supplies.

Another age shall see the golden ear Imbrown the slope, and nod on the parterre, Deep harvests bury all his pride has plann'd, And laughing Ceres re-assume the land.

Who then shall grace, or who improve the soil ? Who plants like Bathurst, or who builds like Boylo. 'Tis use alone that sanctifies expense, And splendour borrows all her


from sense. 180 His father's acres who enjoys in peace, Or makes his neighbours glad if he increase : Whose cheerful tenants bless their yearly toil, Yet to their lord owe more than to the soil; Whose ample lawns are not ashamed to feed The milky beiser and deserving steed; Whose rising forests, not for pride or show, But future buildings, future navies, grow : Let his plantations stretch from down to down, First shade a country, and then raise a town. 190

You, too, proceed! make falling arts your care, Erect new wonders, and the old repair ; Jones and Palladio to themselves restore, And be whate'er Vitruvius was before : Till kings call forth the idea of your mind, Proud to accomplish what such hands design'd;)


Bid harbours open, public ways extend,
Bid temples worthier of the God ascend;
Bid the broad arch the dangerous flood contain,
The mole projected break the roaring main;
Back to his bounds their subject sea command,
And roll obedient rivers through the land:
These honours peace to happy Britain brings;
These are imperial works, and worthy kings



Occasioned by his Dialogues on Medals.

This was originally written in the year 1715, when Mr. Addison intended to publish his book of medals; it was some time before he was secretary of state ; but not published till Mr. Tickell's edition of his works; at which time his verses on Mr. Craggs, which conclude the poem, were added, viz. in 1720.

As the third Epistle treated of the extremes of avarice and profusion ; and the fourth took up one particular branch of the latter, namely, the vanity of expense in people of wealth and quality, and was therefore a corollary to the third; so this treats of one circumstance of that vanity, as it appears in the common collectors of old coin; and is, therefore,. corollary to the fourth.

SEE the wild waste of all-devouring years! How Rome her own sad sepulchre appears! With nodding arches, broken temples spread! The very tombs now vanish'd like their dead!

Imperia. wonders raised on nations spoil'd,
Where mix'd with slaves the groaning martyr toil'd
Huge theatres, that now unpenpled woods,
Now drain'd a distant country of her floods.
Fanes, which admiring gods with pride survey;
Statues of men. scarce less alive than they! 20
Sume felt the silent stroke or mouldering age,
Some hostile fury, some religious rage :
Barbarian blindness, Christian zeal conspire,
And p:1pa, piety, and Gothic fire.
Perhaps by its own ruins saved from flame,
Some buried marble half preserves a name;
That name the learn'd with fierce dispute pursue,
And give to Titus old Vespasian's due.

Ambition sigh'd; she found in vain to trust
The faithless column and the crumbling bust; 20
Huge moles, whose shadow stretch'd from shore to

shore, Their ruins perish'd, and their place no more! Convinced, she nuw contracts her vast design, And all her triumphs shrink into a coin. A narrow orb each crowded conquest keeps, Beneath her palm here sad Judea weeps, Now scantier limits i be proud arch confine, And scarce are seen the prostrate Nile or Rhine ; A small Euphrates through the piece is rollid. And little eagles ware their wings in gold. 30

The medal faithful to its charge of fame, Through climes and ages oears each form ana

name: In one short view subjected to our eye, Gods, emperors, heroes, sages, beauties, lie. With sharpen'd sight pa e antiquaries pore, The inscription value, but the rust adore. This the blue varnish, that the green endears, The sacred rust of iwice ton hundred years ! To gain Pescennius one employs his schemes, One grasps a Cecrops in ecstatic dreams. 40

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