Stage Directions in Hamlet: New Essays and New DirectionsHardin L. Aasand Fairleigh Dickinson Univ Press, 2003 - 234 pages The subject of stage directions in 'Hamlet', those brief semiotic codes that are embellished by historical, theatrical, and cultural considerations, produces a rigorous examination in the fifteen essays contained in this collection. This volume encompasses essays that are guardedly inductive in their critical approaches, as well as those that critique modern productions that attempt to achieve Shakespearean effect through a modern aesthetic. The volume also includes essays that enunciate the production of stage business as a cultural interplay between productions and social agencies outside the theater. |
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Page 13
... scenes and their directions , and to supply musical accompaniment to cue the audience response to verbal cues . For ... scene in 3.4 , during which Hamlet confronts his mother with a portrait of Hamlet Sr. and Claudius , " the hyperion ...
... scenes and their directions , and to supply musical accompaniment to cue the audience response to verbal cues . For ... scene in 3.4 , during which Hamlet confronts his mother with a portrait of Hamlet Sr. and Claudius , " the hyperion ...
Page 14
... scene in order to trace the process by which pictorial renditions that accompanied early editions contributed to the ... scene , Aasand queries the disturbing presence of the skull and its awkward presence as a prop . Citing Stephen ...
... scene in order to trace the process by which pictorial renditions that accompanied early editions contributed to the ... scene , Aasand queries the disturbing presence of the skull and its awkward presence as a prop . Citing Stephen ...
Page 19
... scene divisions , the series guidelines are both radical and conservative at the same time . Editors are reminded ... scenes has so long been conventional that to alter it would involve obvious and undue inconvenience . " 2 The series ...
... scene divisions , the series guidelines are both radical and conservative at the same time . Editors are reminded ... scenes has so long been conventional that to alter it would involve obvious and undue inconvenience . " 2 The series ...
Page 24
... scene in Elizabethan drama , where it is common enough for location to be undefined , and for it to change in the course of a scene . The Editorial Tradition Previous editors of Hamlet in the Arden Shakespeare series express their ...
... scene in Elizabethan drama , where it is common enough for location to be undefined , and for it to change in the course of a scene . The Editorial Tradition Previous editors of Hamlet in the Arden Shakespeare series express their ...
Page 25
... scene divisions and act divisions . It seems to us that scene divisions have real meaning ( or " authority " ) in the context of the pragmatics of Shakespeare's theater and of his own dramatic writing : a scene is a unit of dramatic ...
... scene divisions and act divisions . It seems to us that scene divisions have real meaning ( or " authority " ) in the context of the pragmatics of Shakespeare's theater and of his own dramatic writing : a scene is a unit of dramatic ...
Contents
19 | |
Entrances in the Ophelia Sequence of Hamlet | 33 |
Exit by Indirection Finding Directions Out | 42 |
Hamlets Stage Directions to the Players | 47 |
Explicit Stage Directions Especially Graphics in Hamlet | 74 |
The Case against Tidiness | 92 |
Tis heere Tis gone The Ghost in the Text | 101 |
To Soliloquize or Not to Soliloquize Hamlets To be Speech in Q1 and Q2F | 115 |
The Stage Directions Overt and Covert of Hamlet 51 | 140 |
Interpolations Extended Scenes and Musical Accompaniment in Kenneth Branaghs Hamlet | 161 |
Properties and Stage Business in Hamlet 34 | 170 |
Visual Representations of the Graveyard Scene in Hamlet | 189 |
Hamlet Yorick and the Chopless Stage Direction | 214 |
Afterword | 226 |
Contributors | 228 |
231 | |
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Common terms and phrases
Aasand action actors appearance Arden audience Branagh Cambridge Capell characters Charles Fechter Chicago Shakespeare Theater Claudius Claudius's closet scene Clown commas contemporary Corambis critical Delacroix director dramatic early exits early texts edition editors effect Elizabethan engraving entrance essays father film Folger Shakespeare Library Folio Fortinbras Gertrude Gertrude's gesture Ghost grave Gravedigger graveyard scene groundlings Hamlet hand holding Yorick's skull Horatio illustration imagine indicate interpretation interrupted Jenkins John John Dover Wilson Kenneth Branagh King King's Kliman Laertes later lithographs London Lord madness Marcellus miniatures modern noise Ophelia Osric Oxford performance photograph picture play players Polonius Polonius's production promptbook punctuation Queen question readers reading Renaissance role Rosencrantz and Guildenstern says Second Quarto soliloquy speak speech spies stage business stage directions stage practice suggests textual theater theatrical traditional University Press visual wall portraits William Shakespeare Wilson Wilson Barrett words York
Popular passages
Page 28 - To assume a pleasing shape; yea, and perhaps Out of my weakness and my melancholy, As he is very potent with such spirits, Abuses me to damn me. I'll have grounds More relative than this: the play's the thing Wherein I'll catch the conscience of the king.