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Four for the quarters, and twelve for the hour;

There she sees a damsel bright, Drest in a silken robe of white,

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Ever and aye, by shine and shower,
Sixteen short howls, not over loud;

Some say, she sees my lady's shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin grey cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is grey:
'Tis a month before the month of May,
And the Spring comes slowly up this way.

The lovely lady, Christabel,

Whom her father loves so well,

What makes her in the wood so late,

A furlong from the castle gate?

She had dreams all yesternight

Of her own betrothed knight;

And she in the midnight wood will pray

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She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:

And wildly glitter'd here and there
The gems entangled in her hair.
I guess, 'twas frightful there to see
A lady so richly clad as she
Beautiful exceedingly!

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She kneels beneath the huge oak tree, And in silence prayeth she.

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This, we think, has the merit of being the very worst poem we ever saw imprinted in a quarto volume; and though it was scarcely to be expected, we confess, that Mr. Wordsworth, with all his ambition, should so soon have attained to that distinction, the wonder may perhaps be diminished when we state, that it seems to us to consist of a happy union of all the faults, without any of the beauties, which belong to his school of poetry. It is just such a work, in short, as some wicked enemy of that school might be supposed to have devised, on purpose to make it ridiculous; and when we first took it up, we could not help suspecting that some ill-natured critic had actually taken this harsh method of instructing Mr. Wordsworth, by example, in the nature of those errors, against which our precepts had been so often directed in vain. We had not gone far, however, till we felt intimately that nothing in the nature of a joke could be so insupportably dull; and that this must be the work of one who

earnestly believed it to be a pattern of pathetic simplicity, and gave it out as such to the admiration of all intelligent readers. In this point of view, the work may be regarded as curious at least, if not in some degree interesting; and, at all events, it must be instructive to be made aware of the excesses into which superior understandings may be betrayed, by long self-indulgence, and the strange extravagances into which they may run, when under the influence of that intoxication which is produced by unrestrained admiration of themselves. This poetical intoxication, indeed, to pursue the figure a little farther, seems capable of assuming as many forms as the vulgar one which arises from wine; and it appears to require as delicate a management to make a man a good poet by the help of the one, as to make him a good companion by means of the other. In both cases a little mistake as to the dose or the quality of the inspiring fluid may make him absolutely outrageous, or lull him over into the most profound stupidity, instead of brightening up the hidden stores of his genius and truly we are concerned to say, that Mr. Wordsworth seems hitherto to have been unlucky in the choice of his liquor or of his bottle-holder. In some of his odes and ethic exhortations, he was exposed to the public in a state of incoherent rapture and glorious delirium, to which we think we have seen a parallel among the humbler lovers of jollity. In the Lyrical Ballads, he was exhibited, on the whole, in a vein of very pretty deliration; but in the poem before us, he appears in a state of low and maudlin imbecility, which would not have misbecome Master Silence1 himself, in the close of a social day. Whether this unhappy result is to be ascribed to any adulteration of his Castalian 2 cups, or to the unlucky choice of his company over them, we cannot presume to say. It may be that he has dashed his Hippocrene3 with too large an infusion of lake1 water, or assisted its operation too exclusively by the study of the ancient historical ballads of "the north countrie." That there are palpable imitations of the style and manner

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of those venerable compositions in the work before us, is indeed undeniable; but it unfortunately happens, that while the hobbling versification, the mean diction, and flat stupidity of these models are very exactly copied, and even improved upon, in this imitation, their rude energy, manly simplicity, and occasional felicity of expression, have totally disappeared; and, instead of them, a large allowance of the author's own metaphysical sensibility, and mystical wordiness, is forced into an unnatural combination with the borrowed beauties which have just been mentioned.

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They gorged upon the half-dressed steer;
Caroused in seas of sable beer;
While round, in brutal jest, were thrown
The half-gnawed rib and marrow-bone;
Or listened all, in grim delight,

While Scalds yelled out the joys of fight.
Then forth in frenzy would they hie,
While wildly-loose their red locks fly;
And, dancing round the blazing pile,
They make such barbarous mirth the while,
As best might to the mind recall
The boisterous joys of Odin's hall.2

And well our Christian sires of old

Loved when the year its course had rolled
And brought blithe Christmas back again
With all its hospitable train.
Domestic and religious rite
Gave honour to the holy night:

On Christmas eve the bells were rung;
On Christmas eve the mass was sung;
That only night, in all the year,
Saw the stoled priest the chalice rear.3
The damsel donned her kirtle sheen;
The hall was dressed with holly green;
Forth to the wood did merry-men go,
To gather in the mistletoe.

Then opened wide the baron's hall
To vassal, tenant, serf, and all;
Power laid his rod of rule aside;

And Ceremony doffed her pride.
The heir, with roses in his shoes,
That night might village partner choose;
The lord, underogating, share
The vulgar game of "post and pair."
All hailed with uncontrolled delight,
And general voice, the happy night
That to the cottage, as the crown,
Brought tidings of salvation down.

The fire, with well-dried logs supplied,
Went roaring up the chimney wide;
The huge hall-table's oaken face,
Scrubbed till it shone, the day to grace,
Bore then upon its massive board
No mark to part the squire and lord.
Then was brought in the lusty brawn,
By old blue-coated serving-man;

Then the grim boar's-head frowned on high
Crested with bays and rosemary.
Well can the green-garbed ranger tell
How, when, and where the monster fell;

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poets 2 in the Other-world, where heroes fought and feasted forever 3 The Mass is not celebrated at night except at Christmas.without loss of dignity

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