The Complete Works of Samuel Taylor Coleridge: With an Introductory Essay Upon His Philosophical and Theological Opinions, 4. köideHarper & brothers, 1853 |
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Page xv
... Character of the Gothic Mind in the Middle Ages .. 232 II . General Character of the Gothic Literature and Art . III . The Troubadours , Boccaccio , Petrarch , Pulci , Chaucer , 234 • • Spenser .... 239 VII . Ben Jonson , Beaumont and ...
... Character of the Gothic Mind in the Middle Ages .. 232 II . General Character of the Gothic Literature and Art . III . The Troubadours , Boccaccio , Petrarch , Pulci , Chaucer , 234 • • Spenser .... 239 VII . Ben Jonson , Beaumont and ...
Page 24
... characters , even single thoughts , con- ceits , and allusions , each turning on the pivot of its own free will . The tragic poet idealizes his characters by giving to the spir- itual part of our nature a more decided preponderance over ...
... characters , even single thoughts , con- ceits , and allusions , each turning on the pivot of its own free will . The tragic poet idealizes his characters by giving to the spir- itual part of our nature a more decided preponderance over ...
Page 27
... character and functions of the chorus in the Greek tragic drama . The chorus entered from below , close by the orchestra , and there , pacing to and fro during the choral odes , performed their solemn measured dance . In the centre of ...
... character and functions of the chorus in the Greek tragic drama . The chorus entered from below , close by the orchestra , and there , pacing to and fro during the choral odes , performed their solemn measured dance . In the centre of ...
Page 34
... character in real history had become so famous , so proverbial , as Nero for instance , that they were introduced ... characters , when the restoration of literature , followed by the ever - blessed Reformation , let in upon the kingdom ...
... character in real history had become so famous , so proverbial , as Nero for instance , that they were introduced ... characters , when the restoration of literature , followed by the ever - blessed Reformation , let in upon the kingdom ...
Page 38
... character as imperiously as that of Greece did the chorus , and high language accordant . And there are many ad- vantages in this ; -a greater assimilation to nature , a greater scope of power , more truths , and more feelings ; -the ...
... character as imperiously as that of Greece did the chorus , and high language accordant . And there are many ad- vantages in this ; -a greater assimilation to nature , a greater scope of power , more truths , and more feelings ; -the ...
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admirable appear Beaumont and Fletcher beauty Ben Jonson cause character Coleridge comedy common Coriolanus Cymbeline drama effect especially excellent excitement express exquisite fancy father feeling genius give Greek Hamlet hath heart heaven Hence human humor Iago Iago's idea images imagination imitation individual instance intellect interest Jonson judgment Julius C¿sar king language Lear lectures Love's Labor's Lost Macbeth means metre Milton mind moral nature never object observe Othello passage passion perhaps persons philosophic play pleasure poem poet poetic poetry Polonius present principle reason religion Richard III Romeo and Juliet S. T. COLERIDGE scene Schlegel seems Sejanus sense Shak Shakspeare Shakspeare's Shaksperian soul speech spirit style supposed Theobald thing thou thought tion Titus Andronicus tragedy true truth Twelfth Night unity verse Warburton's whilst whole words writers
Popular passages
Page 169 - If chance will have me king, why, chance may crown me, Without my stir.
Page 171 - Which would be worn now in their newest gloss, Not cast aside so soon. Lady M. Was the hope drunk Wherein you dress'd yourself? hath it slept since, And wakes it now, to look so green and pale At what it did so freely ? From this time Such I account thy love. Art thou...
Page 114 - tis not so deep as a well, nor so wide as a church-door ; but 'tis enough, 'twill serve : ask for me tomorrow, and you shall find me a grave man. I am peppered, I warrant, for this world. A plague o...
Page 139 - This is the excellent foppery of the world, that, when we are sick in fortune,— often the surfeit of our own behavior,— we make guilty of our disasters the sun, the moon, and the stars...
Page 164 - I do not think so ; since he went into France, I have been in continual practice ; I shall win at the odds. But thou wouldst not think how ill all's here about my heart ; but it is no matter.
Page 171 - Take thee that too. A heavy summons lies like lead upon me, And yet I would not sleep. Merciful powers, Restrain in me the cursed thoughts that nature Gives way to in repose!
Page 106 - ... tawny front : his captain's heart, Which in the scuffles of great fights hath burst The buckles on his breast, reneges all temper', And is become the bellows, and the fan, To cool a gipsy's lust.
Page 22 - ... reveals itself in the balance or reconciliation of opposite or discordant qualities: of sameness, with difference; of the general, with the concrete; the idea, with the image; the individual, with the representative; the sense of novelty and freshness, with old and familiar objects; a more than usual state of emotion, with more than usual order...
Page 127 - Of comfort no man speak: Let's talk of graves, of worms, and epitaphs; Make dust our paper, and with rainy eyes Write sorrow on the bosom of the earth; Let's choose executors and talk of wills : And yet not so — for what can we bequeath Save our deposed bodies to the ground? Our lands, our lives, and all are Bolingbroke's, And nothing can we call our own but death, And that small model of the barren earth Which serves as paste and cover to our bones.
Page 161 - My words fly up, my thoughts remain below : Words, without thoughts, never to heaven go.