Shakespeares Komödien aus der Sicht der pragmatischen KommunikationstheorieLIT Verlag Münster, 1998 - 200 pages |
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Page 20
... thee joy ! LEONATO Count , take of me my daughter , and with her my fortunes . His grace hath made the match , and all Grace say Amen to it ! BEATRICE Speak , Count , ' tis your cue . CLAUDIO Silence is the perfectest herald of joy ; I ...
... thee joy ! LEONATO Count , take of me my daughter , and with her my fortunes . His grace hath made the match , and all Grace say Amen to it ! BEATRICE Speak , Count , ' tis your cue . CLAUDIO Silence is the perfectest herald of joy ; I ...
Page 30
... thee ? CURTIS Why , a horse . ( IV.i.61ff ) Wenn Grumio jedoch in IV.iii ähnliche disconfirmation - Techniken gegen Katherine anwendet , so hat dies seinen Grund in der Gesprächssituation . Grumio darf einerseits Katherine nichts zu ...
... thee ? CURTIS Why , a horse . ( IV.i.61ff ) Wenn Grumio jedoch in IV.iii ähnliche disconfirmation - Techniken gegen Katherine anwendet , so hat dies seinen Grund in der Gesprächssituation . Grumio darf einerseits Katherine nichts zu ...
Page 31
... thee for thy absence . FESTE Let her hang me . He that is well hanged in this world needs to fear no colours . MARIA Make that good . FESTE He shall see none to fear . ( I.v.1-7 ) Statt auf Marias Forderung " tell me where thou hast ...
... thee for thy absence . FESTE Let her hang me . He that is well hanged in this world needs to fear no colours . MARIA Make that good . FESTE He shall see none to fear . ( I.v.1-7 ) Statt auf Marias Forderung " tell me where thou hast ...
Page 33
... thee sixpence for thy leman , hadst it ? FESTE I did impetticoat thy gratillity ; for Malvolio's nose is no whipstock , my lady has a white hand , and the Myrmidons are no bottle - ale houses . SIR ANDREW Excellent ! ( II.iii.20-28 ) ...
... thee sixpence for thy leman , hadst it ? FESTE I did impetticoat thy gratillity ; for Malvolio's nose is no whipstock , my lady has a white hand , and the Myrmidons are no bottle - ale houses . SIR ANDREW Excellent ! ( II.iii.20-28 ) ...
Page 34
... thee late at the Count Orsino's . FESTE Foolery , sir , does walk about the orb like the sun , it shines everywhere . I would be sorry , sir , but the fool should be as oft with your master as with my mistress . I think I saw your ...
... thee late at the Count Orsino's . FESTE Foolery , sir , does walk about the orb like the sun , it shines everywhere . I would be sorry , sir , but the fool should be as oft with your master as with my mistress . I think I saw your ...
Contents
15 | |
37 | |
Interpunktion | 75 |
Digitale und analoge Kommunikation | 88 |
Symmetrische und komplementäre Kommunikationsstrukturen | 116 |
Zwischenmenschliche Systeme | 140 |
Paradoxien und double bind | 165 |
Zusammenfassung und Ausblick | 186 |
Literaturhinweis | 192 |
Common terms and phrases
Aggressor Antonio Arbeit Aussagen Bassanio Bateson beiden Benedick und Beatrice bereits Berry besonders bewußt Bezie Beziehung Beziehungsebene Bottom Cesario Charaktere Claudio Comedy Demetrius Dialog digitale disconfirmation-Techniken Don John Don Pedro double bind Dramas Dramen Du-Definition Duke ersten Eskalation Feste folgenden fool Gespräch give good Grumio handelt hath Helena Hermia Hero Heros Hippolyta I.iii II.i III.i Interaktion IV.i Jessica Kapitel Katherine know Kommunikationstheorie komplementäre Komplementarität Konflikte Körpersprache lady läßt Leonato Lorenzo love Lysander make Malvolio McGuire Menschliche Kommunikation Merchant of Venice Metakommunikation Midsummer Night's Dream muß nonverbale Kommunikation Oberon Oliver Olivia Orlando Orsino Palo-Alto-Gruppe Paradoxien Partner Passage Paul Watzlawick Person Petruchio Phebe play Portia reagiert Reaktion Rosalind Schauspieler schen schließlich Shakespeare's Shakespeares Komödien Shrew Shylock Sir Andrew Sir Toby Sir Topas Situation soll speak Sprache stellt Struktur symmetrische Sympathielenkung Szene Taming thee Theseus think thou Titania Topas Touchstone Twelfth Night University Press Verhalten Viola Watzlawick zeigt Zeilen Zuschauer
Popular passages
Page 65 - Ah me! for aught that ever I could read. Could ever hear by tale or history, The course of true love never did run smooth: But, either it was different in blood; Her.
Page 54 - A woman moved is like a fountain troubled, Muddy, ill-seeming, thick, bereft of beauty; And while it is so, none so dry or thirsty Will deign to sip, or touch one drop of it.
Page 177 - A blank, my lord. She never told her love, But let concealment, like a worm i' the bud, Feed on her damask cheek: she pined in thought, And with a green and yellow melancholy She sat like patience on a monument, Smiling at grief.
Page 139 - If to do were as easy as to know what were good to do, chapels had been churches and poor men's cottages princes' palaces. It is a good divine that follows his own instructions : I can easier teach twenty what were good to be done, than be one of the twenty to follow mine own teaching.
Page 112 - Nay, take my life and all ; pardon not that : You take my house, when you do take the prop That doth sustain my house ; you take my life, When you do take the means whereby I live.
Page 139 - Though justice be thy plea, consider this, — That in the course of justice, none of us Should see salvation ; we do pray for mercy ; And that same prayer doth teach us all to render The deeds of mercy.
Page 178 - We men may say more, swear more, but indeed Our shows are more than will; for still we prove Much in our vows, but little in our love. DUKE. But died thy sister of her love, my boy? VIOLA. I am all the daughters of my father's house, And all the brothers too- and yet I know not.
Page 125 - Such duty as the subject owes the prince, Even such, a woman oweth to her husband : And, when she's froward, peevish, sullen, sour, And, not obedient to his honest will, What is she, but a foul contending rebel, And graceless traitor to her loving lord?
References to this book
Das Prinzip Spannung: sprachwissenschaftliche Betrachtungen zu einem ... Alwin Fill Limited preview - 2003 |
Das Prinzip Spannung: sprachwissenschaftliche Betrachtungen zu einem ... Alwin Fill Limited preview - 2003 |