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No pledge from you, that he will stir
In our affairs;-like Oliver,1

That he'll be worthy of his hire."

V.

These words exchanged, the news sent off
To Peter, home the Devil hied,—
Took to his bed; he had no cough,
No doctor, meat and drink enough,—

Yet that same night he died.

VI.

The Devil's corpse was leaded down;
His decent heirs enjoyed his pelf,
Mourning-coaches, many a one,

Followed his hearse along the town:-
Where was the devil himself?

VII.

When Peter heard of his promotion,
His eyes grew like two stars for bliss:
There was a bow of sleek devotion,
Engendering in his back; each motion
Seemed a Lord's shoe to kiss.

VIII.

He hired a house, bought plate, and made
A genteel drive up to his door,
With sifted gravel neatly laid,-
As if defying all who said,

Peter was ever poor.

1 A government spy, prominent in the case of Brandreth, Turner, and Ludlam, whose execution in 1817

inspired Shelley to write the Address to the People on the Death of the Princess Charlotte.

IX.

But a disease soon struck into

The very life and soul of PeterHe walked about-slept-had the hue Of health upon his cheeks-and few Dug better-none a heartier eater.

X.

And yet a strange and horrid curse
Clung upon Peter, night and day,
Month after month the thing grew worse,
And deadlier than in this my verse,

I can find strength to say.

XI.

Peter was dull-he was at first

Dull-O, so dull-so very dull!

Whether he talked, wrote, or rehearsed-
Still with this dulness was he cursed—
Dull-beyond all conception-dull.

XII.

No one could read his books—no mortal,

But a few natural friends, would hear him;

The parson came not near his portal;

His state was like that of the immortal

Described by Swift-no man could bear him.

XIII.

His sister, wife, and children yawned,

With a long, slow, and drear ennui,

All human patience far beyond;

Their hopes of Heaven each would have pawned,

Any where else to be.

XIV.

But in his verse, and in his prose,
The essence of his dulness was
Concentred and compressed so close,
'Twould have made Guatimozin doze
On his red gridiron of brass.

XV.

A printer's boy, folding those pages,
Fell slumbrously upon one side;

Like those famed seven who slept three ages.
To wakeful frenzy's vigil rages,

As opiates, were the same applied.

XVI.

Even the Reviewers who were hired
To do the work of his reviewing,
With adamantine nerves, grew tired;-
Gaping and torpid they retired,

To dream of what they should be doing.

XVII.

And worse and worse, the drowsy curse
Yawned in him, till it grew a pest-

A wide contagious atmosphere,

Creeping like cold through all things near; A power to infect and to infest..

XVIII.

His servant-maids and dogs grew dull;

His kitten late a sportive elf, The woods and lakes, so beautiful, Of dim stupidity were full,

All grew dull as Peter's self.

XIX.

The earth under his feet-the springs,
Which lived within it a quick life,
The air, the winds of many wings,
That fan it with new murmurings,
Were dead to their harmonious strife.

XX.

The birds and beasts within the wood,
The insects, and each creeping thing,
Were now a silent multitude;

Love's work was left unwrought-no brood
Near Peter's house took wing.

XXI.

And every neighbouring cottager
Stupidly yawned upon the other:

No jack-ass brayed; no little cur
Cocked up his ears;-no man would stir
To save a dying mother.

XXII.

Yet all from that charmed district went

But some half-idiot and half knave,

Who rather than pay any rent,
Would live with marvellous content,

Over his father's grave.

XXIII.

No bailiff dared within that space,

For fear of the dull charm, to enter;

A man would bear upon his face,
For fifteen months in any case,

The yawn of such a venture.

XXIV.

Seven miles above-below-around-
This pest of dulness holds its sway;
A ghastly life without a sound;
To Peter's soul the spell is bound-
How should it ever pass away?1

1 It is worth while, as a study of method, to compare this description of the spread of dulness with the wonderful description in The Sensitive Plant of the spread of decay. Mr. Rossetti is certainly right in attributing to Shelley a strong will to castigate Wordsworth in this poem. Mrs. Shelley says on the subject, “I need scarcely observe that nothing personal to the Author of Peter Bell is intended in this poem. No man ever admired Wordsworth's poetry more... This poem was written, as a warning-not as a narration of the reality.' On the other side Mr. Rossetti observes that Shelley really does attack Wordsworth "on two grounds more especially: 1st, that he was time-serving and conventional in opinion, and, 2nd, that he was prosy and dull in writing." To shew that those views consisted with "a very intense admiration of Wordsworth and his poetry on certain other grounds," Mr. Rossetti quotes that notable passage in Shelley's letter to Peacock dated

25 July 1818 (published in Fraser's Magazine for March 1860),-"I wish you had sent me some of the overflowing villany of those apostates. What a pitiful wretch that Wordsworth! That such a man should be such a poet! I can compare him with no one but Simonides, that flatterer of the Sicilian tyrant, and at the same time the most natural and tender of lyric poets." As affecting the question whether Shelley meant to reflect on what Wordsworth had done, this passage is most important; and Mr. Rossetti's case is very much strengthened by the fact that, in the letter itself, which is still extant, the reading is "What a beastly and pitiful wretch. . ." That word beastly, very properly omitted by Peacock nearly seventeen years ago, has great weight in establishing by external evidence the same animus that the internal evidence of the poem indicates. Right or wrong, there it is; and there is no longer any need for suppressing it.

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