The same artifice, in the beginning of the next line, makes us see the wolf-"leáp o'r the fence."-But as the mere act of leaping over the fence, is not the only circumstance to be attended to, but also the facility with which it is done, this is strongly marked, not only by the smooth foot which follows -"with ease”-itself very expressive, but likewise by a Pyrrhic preceding the last foot-" into the fld"-wiuch indeed carries the wolf-with case into the f ld.”

The following instances show the effects produced by cæsuras, so placed as to divide the line into very unequal portions such as that after the first, and before the last semipede.

-thus with the year

Seasons return, but not to me returns

Day" or the sweet approach of even or morn.

Here the cæsura after the first semipede Day, stops us unexpectedly, and forcibly impresses the imagination with the greatness of the author's loss, the loss of sight.

No sooner had th' Almighty ceas'd, but all
The multitude of angels, with a shout

Loud" as from numbers without number" sweet
As from blest voices uttering joy.

There is something very striking in this uncommon cæsura, which suddenly stops the reader, to reflect on the importance of a particular word.

We shall close the subject, with an example containing the united powers of many of the principles which have been explained.

Dire was the tossing" deep the groans" Despair"
Ténded the sick" busiest from couch to coúch"
And over thěm triumphant death" his dárt"
Shook" but dělay'd to strike.

Many of the rules and observations respecting Prosody, are taken from "Sheridan's Art of Reading;" to which book the Compiler refers the ingenious student, for more extensive information on the subject.

PUNCTUATION.

PUNCTUATION* is the art of dividing a written composition into sentences, or parts of sentences, by points or stops, for the purpose of marking the different pauses which the sense, and an accurate pronunciation require.

The Comma represents the shortest pause; the Semicolon, a pause double that of the comma; the Colon, double that of the semicolon; and the Period, double that of the colon.

PUNCTUATION is a modern art. The ancients were entirely unacquainted with the use of our commas, colons, &c.; and wrote not only without any distinction of members and periods, but also without distinction of words: which custom continued till the year 360 before Christ. How the ancients read their works, written in this manner, it is not easy to conceive. After the practice of joining words together had ceased, notes of distinction were placed at the end of every word. This practice, with some variation, continued a considerable time.

As it appears that the present usage of stops did not take place, whilst manuscripts and monumental inscriptions were the only known methods of conveying knowledge, we must conclude that it was introduced with the art of printing. The introduction was, however, gradual; all the points did not appear at once. The colon, semicolon, and note of admiration, were produced sometime after the others. The whole set, as they are now used, came to be established, when learning and refinement had made considerable progress.

As the several articulate sounds, the syllables and words, of which sentences consist, are marked by letters; so the rests

As punctuation is intended to aid both the sense, and the pronunciation of a sentence. it could not have been exclusively discussed under the part of Syntax, or of Prosody. The of the subject its extent and importance, and the grammatical knowledge which it presupposes, have induced us to make it a distinct and subsequent article.

na

and pauses, between sentences and their parts, are marked by points. But though the several articulate sounds, are pretty fully and exactly denoted by letters of known and determinate power; yet the several pauses, which are used in a just pronunciation of discourse, are very imperfectly expressed by points. For the different degrees of connexion between the several parts of sentences, and the different pauses in a just pronunciation, which express those degrees of connexion according to their proper value, admit of great variety but the whole number of points, which we have to express this variety, amounts only to four. Hence it is, that we are under a necessity of expressing pauses of the same quantity, on different occasions, by different points; and more frequently of expressing pauses of different quantity by the same points.

From this view of the subject, it is evident that the doctrine of Punctuation must be very imperfect. Few precise rules can be given, which will hold, without exception, in all cases; but much must be left to the judgment and taste of the writer. On the other hand, if a greater number of marks were invented, to express all the possible different pauses of pronunciation; the doctrine of them would be very perplexed and difficult, and the use of them would rather embarrass than assist the reader. It remains, therefore, that we be content with the Rules of Punctuation, laid down with as much exactness as the nature of the subject will admit: such as may serve for a general direction, to be accommodated to different occasions; and to be supplied, where deficient, by the writer's judgment.

The precise quantity or duration of each pause cannot be defined; for it varies with the time of the whole. The same, composition may be rehearsed in a quicker or a slower time; but the proportion between the pauses should be ever invariable.

In order more clearly to determine the proper application of the points, we must distinguish between an imperfect phrase, a simple sentence, and a compound sentence.

An imperfect phrase contains no assertion, or does not amount to a proposition or sentence: as, "Therefore; in haste; studious of praise."

A simple sentence has but one subject, and one finite verb, expressed or implied: as, "Temperance preserves health.”

A compound sentence has more than one subject, or one finite verb, either expressed or understood; or it consists of two or more simple sentences connected together: as, “Good nature mends and beautifies all objects;" "Virtue refines the affections, but vice debases them."

In a sentence, the subject and the verb, or either of them, may be accompanied with several adjuncts: as, the object, the end, the circumstance of time, place, manner, and the like: and the subject or verb may be either immediately connected with them, or mediately; that is, by being connected with something which is connected with some other, and so on, as, "The mind, unoccupied with useful knowledge, becomes a magazine of trifles and follies."

Members of sentences may be divided into simple and compound members. See page 141.

CHAPTER I.

OF THE COMMA.

THE Comma usually separates those parts of a sentence, which, though very closely connected in sense and construction, require a pause between thein.

RULE I.

See vol. ii. part 4. Exercises. Chap. 1. Rule 1.

. WITH respect to a simple sentence, the several words of which it consists have so near a relation to each other, that, in general, no points are requisite, except a full stop at the end of it: as, "The fear of the Lord is the beginning of wisdom." "Every part of matter swarms with living creatures."

A simple sentence, however, when it is a long one, and the nominative case is accompanied with inseparable adjuncts, may admit of a pause immediately before the verb: as, "The good taste of the present age, has not allowed us to neglect the cultivation of the English language." "To be totally indifferent to praise or censure, is a real defect in character."

RULE II.

See vol. ii. part 4. Exercises. Chap. 1. Rule 2.

When the connexion of the different parts of a simple sententence is interrupted by an imperfect phrase, a comma is usually introduced before the beginning, and at the end of this

phrase: as, "I remember, with gratitude, his goodness to me:" "His work is, in many respects, very imperfect. It is, therefore, not much approved." But when these interruptions are slight and unimportant, the comma is better omitted: as, "Flattery is certainly pernicious;" "There is surely a pleasure in beneficence."

In the generality of compound sentences, there is frequent occasion for commas. This will appear from the following rules; some of which apply to simple, as well as to compound

sentences.

RULE III.

See Vol. ii. Part 4. Exercises. Chap. 1. Rule 3.

66

WHEN two or more nouns occur in the same construction, they are parted by a comma: as, Reason, virtue, answer One great aim;" "The husband, wife, and children, suffered extremely "*"They took away their furniture, clothes, and stock in trade;" "He is alternately supported by his father, his uncle, and his elder brother."

From this rule there is mostly an exception, with regard to two nouns closely connected by a conjunction: as, "Virtue and vice form a strong contrast to each other;" "Libertines call religion bigotry or superstition;""There is a natural difference between merit and demerit, virtue and vice, wisdom and folly." But if the parts connected are not short, a comma may be inserted, though the conjunction is expressed: as, "Romances may be said to be miserable rhapsodies, or dangerous incentives to evil;" "Intemperance destroys the strength of our bodies, and the vigour of our minds."

RULE IV.

See Vol. ii. Part 4. Exercises. Chap. 1. Rule 4.

Two or more adjectives belonging to the same substantive, are likewise separated by commas: as, "Plain, honest truth, wants no artificial covering;" "David was a brave, wise, and pious man" "A woman, gentle, sensible, well-educated, and religious:" "The most innocent pleasures are the sweetest, the most rational, the most affecting, and the most lasting."

As a considerable pause in pronunciation is necessary between the last noun and the verb, a comma should be inserted to depote it. But no pause is allowed between the last adjective and the noun, under Rule IV. the comma is there properly omitted.

See WALKER'S Elements of Elocution.