Must Write: Edna Staebler’s Diaries

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Wilfrid Laurier Univ. Press, 30. sept 2005 - 301 pages

Long before she became the renowned author of the best-selling Schmecks cookbooks, an award-winning journalist for magazines such as Macleans, and a creative non-fiction mentor, Edna Staebler was a writer of a different sort. Staebler began serious diary writing at the age of sixteen and continued to write for over eighty years. Must Write: Edna Staebler’s Diaries draws from these diaries selections that map Staebler’s construction of herself as a writer and documents her frustrations and struggles, along with her desire to express herself, in writing. She felt she must write—that not to write was a “denial of life”—while at the same time she doubted the value of her scribblings.

Spanning much of the twentieth century—each decade is introduced by an overview of key events in the author’s life during that period—the diaries vividly illuminate both her intensely personal experiences and her broader social world. The volume also presents four key examples of Staebler’s public writing: her first published magazine article; her first award-winning publication; the opening chapter of her book Cape Breton Harbour; and her lively account of the Great Cookie War. Must Write: Edna Staebler’s Diaries portrays an ordinary woman’s struggle to write in the context of her lived experience. “All my life I have talked about writing and kept scribbling in my notebook, as if that makes me a writer,” wrote Staebler in 1986. This volume argues that the very act of writing the diaries, with all their contradictory accounts of writerly ambition, success, and conflict, made Staebler the writer she yearned to be.

 

Contents

Life as Writing
1
Ednas Chronology
17
Family Lines
20
1 1920s Words to Express
23
2 1930s Longing to Make Something
41
3 1940s Must Write
55
4 Duellists of the Deep 1948
93
5 How to Live without Wars and Wedding Rings 1950
105
8 1970s Something to Write About
165
9 Cape Breton Harbour excerpt 1972
189
10 The Great Cookie War 1987
201
11 1980s The Business of Publishing
221
12 1990s Must Do
237
13 2000 Still Interested and Interesting
271
Bibliography
285
Index
291

6 1950s Writing
121
7 1960s Must Work
137

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Page 4 - ... textually into the details of those experiences. But these are more than simply interesting stories; they also demonstrate the power of the personal to illuminate, and even interrogate, a variety of wider issues. As Sidonie Smith and Julia Watson write, since the 1970s women's autobiography has become "a privileged site for thinking about issues of writing at the intersection of feminist, postcolonial, and postmodern critical theories.
Page 4 - Kadar describes life writing as 'a genre of documents or fragments of documents written out of a life, or unabashedly out of a personal experience of a writer,' and includes 'narratives which tell a story in their own right, even though they may not be fiction

About the author (2005)

Christl Verduyn is a professor of English and Canadian Studies at Mount Allison University, where she holds the Davidson Chair in Canadian Studies and is the director of the Centre for Canadian Studies. Most recent publications include Asian Canadian Writing Beyond Autoethnography, co-edited with Eleanor Ty (WLU Press, 2008), Archival Narratives for Canada: Re-Telling Stories in a Changing Landscape, co-edited with Kathleen Garay (2011), and Canadian Studies: Past, Present, Praxis, co-edited with Jane Koustas (2012).

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