Poems, with illustrative remarks [ed. by W.C. Oulton]. To which is prefixed a sketch of the author's life, 1. köide |
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Page 10
... hand ; Now gazeth she on him , now on the ground ; Sometimes her arms infold him like a band ; She would , he will not in her arms be bound : And when from thence he struggles to be gone , She locks her lily fingers one in one ...
... hand ; Now gazeth she on him , now on the ground ; Sometimes her arms infold him like a band ; She would , he will not in her arms be bound : And when from thence he struggles to be gone , She locks her lily fingers one in one ...
Page 15
... hand she heaveth up his hat . Her other tender hand his fair cheeks feels : His tender cheeks receive her soft hand's print , As apt as new - fallen snow takes any dint . VENUS AND ADONIS . O ! what a war of SHAKESPEARE'S POEMS . 15 ...
... hand she heaveth up his hat . Her other tender hand his fair cheeks feels : His tender cheeks receive her soft hand's print , As apt as new - fallen snow takes any dint . VENUS AND ADONIS . O ! what a war of SHAKESPEARE'S POEMS . 15 ...
Page 16
... hand . A lily prison'd in a jail of snow , Or ivory in an alabaster hand , So white a friend ingirts so white a foe ! This beauteous combat , wilful and unwilling , Shew'd like to silver doves , that sit a billing . Once more the engine ...
... hand . A lily prison'd in a jail of snow , Or ivory in an alabaster hand , So white a friend ingirts so white a foe ! This beauteous combat , wilful and unwilling , Shew'd like to silver doves , that sit a billing . Once more the engine ...
Page 18
... hand with wringing : let us part , And leave this idle theme , this bootless chat ; Remove your siege from my unyielding heart , To love's alarm it will not ope the gate . Dismiss your vows , your feigned tears , your flatt'ry ; For ...
... hand with wringing : let us part , And leave this idle theme , this bootless chat ; Remove your siege from my unyielding heart , To love's alarm it will not ope the gate . Dismiss your vows , your feigned tears , your flatt'ry ; For ...
Page 27
... hand , sweet lips , and crystal eyne , Whose full perfection all the world amazes ; But having thee at ' vantage ( wondrous dread ! ) Would root these beauties , as he roots the mead . O ! let him keep his loathsome cabin still ! Beauty ...
... hand , sweet lips , and crystal eyne , Whose full perfection all the world amazes ; But having thee at ' vantage ( wondrous dread ! ) Would root these beauties , as he roots the mead . O ! let him keep his loathsome cabin still ! Beauty ...
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Common terms and phrases
ancient beauty behold Ben Jonson blood blot blush boar breast breath cheeks COLATINE comedy confounds copies read dead death deep desire disdain dost doth edition of 1596 EDITOR eyes face fair fair lord false Falstaff fame fault fear fire formerly foul gentle grief guilty hand haste hate hath heart Hero and Leander honour kings kiss light lips live LONE looks love's lust MALONE means mind nature never night o'er pale passion poem poet poor Priam proud quarto quoth rage Rape of Lucrece rhyme Roman seems Sextus Tarquinius Shake Shakespeare shalt shame shew sighs signifies sorrow soul sound of hope spring stanza STEEVENS strife suppose sweet TARQUIN AND LUCRECE tears tender Tereus thee thine thou art thought thro thyself tion tongue true unto VENUS AND ADONIS watergalls weep wilt wind words wound writers
Popular passages
Page xx - In the writings of other poets, a character is too often an individual ; in those of Shakespeare, it is commonly a species.
Page xxi - Shakespeare excels in accommodating his sentiments to real life, but by comparing him with other authors. It was observed of the ancient schools of declamation, that the more diligently they were frequented, the more was the student disqualified for the world, because he found nothing there which he should ever meet in any other place. The same remark may be applied to every stage but that of Shakespeare. The theatre, when it is under any other direction...
Page xl - Triumph, my Britain! Thou hast one to show To whom all scenes of Europe homage owe. He was not of an age, but for all time; And all the muses still were in their prime When, like Apollo, he came forth to warm Our ears, or like a Mercury to charm. Nature herself was proud of his designs And joyed to wear the dressing of his lines, Which were so richly spun and woven so fit As, since, she will vouchsafe no other wit.
Page xx - Yet his real power is not shown in the splendour of particular passages, but by the progress of his fable, and, the tenor of his dialogue; and he that tries to recommend him by select quotations, will succeed like the pedant in Hierocles, who, when he offered his house to sale, carried a brick in his pocket as a specimen.
Page xxvii - In his comic scenes he is seldom very successful when he engages his characters in reciprocations of smartness and contests of sarcasm; their jests are commonly gross and their pleasantry licentious; neither his gentlemen nor his ladies have much delicacy, nor are sufficiently distinguished from his clowns by any appearance of refined manners.
Page xli - Muses' anvil, turn the same (And himself with it) that he thinks to frame, Or for the laurel he may gain a scorn, For a good poet's made as well as born; And such wert thou. Look how the father's face Lives in his issue; even so, the race Of Shakespeare's mind and manners brightly shines In his well-turned and true-filed lines, In each of which he seems to shake a lance, As brandished at the eyes of ignorance.
Page xxii - He was inclined to show an usurper and a murderer not only odious but despicable, he therefore added drunkenness to his other qualities, knowing that kings love wine like other men, and that wine exerts its natural power upon kings. These are the petty cavils of petty minds; a poet overlooks the casual distinction of country and condition, as a painter, satisfied with the figure, neglects the drapery.
Page xxxvi - Though he had so many difficulties to encounter, and so little assistance to surmount them, he has been able to obtain an exact knowledge of many modes of life, and many casts of native dispositions; to vary them with great multiplicity; to mark them by nice distinctions; and to shew them in full view by proper combinations.
Page xix - The poet, of whose works I have undertaken the revision, may now begin to assume the dignity of an ancient, and claim the privilege of established fame and prescriptive veneration. He has long outlived his century, the term commonly fixed as the test of literary merit.
Page xxviii - A quibble is to Shakespeare what luminous vapours are to the traveller; he follows it at all adventures; it is sure to lead him out of his way, and sure to engulf him in the mire. It has some malignant power over his mind, and its fascinations are irresistible.