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Raamatud Books
" He is made one with Nature: there is heard His voice in all her music, from the moan Of thunder, to the song of night's sweet bird; He is a presence to be felt and known In darkness and in light, from herb and stone, Spreading itself where'er that Power... "
Notes and Queries - Page 159
1893
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Corresponding Powers: Studies in Honour of Professor Hisaaki Yamanouchi

Hisaaki Yamanouchi - 1997 - 248 lehte
...Shelley, proclaims, in Adonais, the great lament for Keats himself: He is made one with Nature: there is heard His voice in all her music, from the moan Of...presence to be felt and known In darkness and in light . . . He is a portion of the loveliness That once he made more lovely . . . (370-80) Works Cited Coleridge,...
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Ludismo E Intertextualidad en la Lirica Espanola Moderna

T J Dadson, Derek Flitter, University of Birmingham. Dept. of Hispanic Studies, Instituto Cervantes - 1998 - 172 lehte
...conmemoraba la muerte de Keats en Roma unos pocos meses antes: He is made one with Nature: there is heard His voice in all her music, from the moan Of...and known In darkness and in light, from herb and stone, Spreading itself where'er that power may move Which has withdrawn his being to its own; Which...
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Classical Mythology in English Literature: A Critical Anthology

Geoffrey Miles - 1999 - 456 lehte
...hare Even to the joyous stars which smile on its despair! 42 He is made one with Nature:0 there is heard His voice in all her music. from the moan Of...and known In darkness and in light, from herb and stone, Spreading itself where'er that Power may move Which has withdrawn his being to its own; Which...
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The Routledge Dictionary of Religious & Spiritual Quotations

Geoffrey Parrinder - 2000 - 218 lehte
...William Wordsworth, Ode, Intimations of Immortality (1SO?) if. He is made one with Nature: there is heard His voice in all her music, from the moan Of thunder, to the song of night's sweet bird. Percy Bysshe Shelley, Adonais, XLI1 ( 1 82 1 ) i? I believe the souls of the dead in some way re-enter...
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Osler's "a Way of Life" and Other Addresses, with Commentary and Annotations

Sir William Osler - 2001 - 378 lehte
...many years, there recur to my mind time and again the lines, — He is made one with nature: there is heard His voice in all her music, from the moan Of thunder, to the song of night's sweet bird; THE LEAVEN OF He is a presence to be telt and known SCIENCE In darkness and in light, from herb and...
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El platonismo romántico de Shelley

Patricia Cruzalegui Sotelo - 2001 - 183 lehte
...ha vuelto. En la tranquilidad de su trono secreto y remoto, Adonais sigue proyectando su presencia: «He is a presence to be felt and known/ In darkness and in light, from herb and stone, Spreading it self where'er that Power may move/ which has withdrawn his being to its own»....
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Three Journeys in the Levant

Shusha Guppy - 2001 - 146 lehte
...heavenly lovers united in human memory. I could almost hear Adonais's voice as Shelley conceived of it : ...in all her music, from the moan Of thunder, to the song of night '$ sweet bird; He is a presence to be felt and known In darkness and in light, from herb and...
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Mary Shelley

Miranda Seymour - 2000 - 655 lehte
...reading it again, she drew some solace from the image of Shelley . . . made one with Nature: there is heard His voice in all her music, from the moan Of...and known In darkness and in light, from herb and stone, Spreading itself where'er that Power may move Which has withdrawn his being to its own; Which...
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Religion Without God

Ray Billington - 2002 - 148 lehte
...Shelley could write in 'Adonais' of his friend Keats, recently dead: He is made one with Nature: there is heard His voice in all her music, from the moan Of thunder, to the song of night's sweet hird. And, presumably, in the hiss of the pit viper and the howl of the jackaL Maybe that comment betrays...
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Shelley Among Others: The Play of the Intertext and the Idea of Language

Stuart Peterfreund - 2002 - 406 lehte
...transcendent and immaterial meaning, of being "made one with Nature," so that her or his "voice [is heard] in all her music, from the moan / Of thunder, to the song of night's sweet bird" (11. 370-71). The realization also has sobering implications for how one is to understand the materiality...
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