 | William Ernest Henley - 1891 - 404 lehte
...lines ' ; ' if that,' he adds, ' can be called composition, in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort.' On awakening, he proceeded to write out his ' composition,' and had set down as much of it as is printed... | |
 | William Ernest Henley - 1891 - 394 lehte
...lines ' ; ' if that,' he adds, ' can be called composition, in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort' On awakening, he proceeded to write out his ' composition,' and had set down as much of it as is printed... | |
 | George Rhett Cathcart - 1892 - 572 lehte
...hundred lines, — if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Ainsworth Rand Spofford, Charles Gibbon - 1893 - 464 lehte
...three hundred lines, if that indeed can be called composition in which all the images rose up before him as things with a parallel production of the correspondent...sensation or consciousness of effort On awaking he appeared to himself to Ьате a distinct recollection of the whole, and taking his pen, ink, and... | |
 | William Benjamin Carpenter - 1894 - 824 lehte
...two to three hundred lines, which he had nothing to do but to write down, "the images rising up ai' things, with a parallel production of the correspondent...without any sensation or consciousness of effort." The whole of this singular fragment, as it stands, consisting of fifty-four lines, wa• written as... | |
 | William Wirt Kinsley - 1896 - 362 lehte
...three hundred lines, if that can indeed be called composition in which all the images rose up before him as things with a parallel production of the correspondent expressions, without any sensation of effort. On awaking, he appeared to himself to have a distinct recollection of the whole, and, taking... | |
 | Charles Mackay - 1897 - 666 lehte
...three hundred lines: if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | 1897 - 868 lehte
...impression th^l, |»e had composed between DREAMING. 200 and 300 Hues. The images, he says, ' rose up before him as things, with a parallel production of the correspondent expressions, without any sensations or consciousness of effort. ' On awakening, he had so distinct a remembrance of the whole,... | |
 | Samuel Taylor Coleridge - 1898 - 166 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Samuel Taylor Coleridge - 1898 - 804 lehte
...lines ; if that indeed can be called composition in which all the images rose up before him as /kings, with a parallel production of the correspondent expressions,...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
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... if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. 
