 | Rossiter Johnson - 1876 - 828 lehte
...lines ; if that indeed can be called composition in which all the images rose up before him as fftfngrf [ appeared to himself to have a distinct recollection of the whole, and taking his pen, inlc, and paper,... | |
 | George Rhett Cathcart - 1876 - 452 lehte
...thrce hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any seusation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection... | |
 | Samuel Taylor [poetical works] Coleridge - 1877 - 416 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Samuel Taylor Coleridge - 1877 - 408 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | George Rhett Cathcart - 1877 - 454 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or conseiousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole,... | |
 | George Rhett Cathcart - 1878 - 446 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Samuel Taylor Coleridge - 1878 - 826 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | 1878 - 728 lehte
...and was written down immediately on awaking ; the images (says Dr. Carpenter) rising up before him with a parallel production of the correspondent expressions...without any sensation or consciousness of effort. Here as in many other cases, the doctors justify their reputation for disagreeing Sir Benjamin Brodie... | |
 | Samuel Taylor [poetical works] Coleridge - 1880 - 512 lehte
...indeed can be called composition in which all the images rose up before him as things, with a paraMel production of the correspondent expressions, without...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | 1880 - 894 lehte
...vivid impression that he had composed between 200 and 300 lines. The images, he says, "rose up before him as things, with a parallel production of the correspondent expressions, without any sensations or consciousness of effort." On awakening, he had so distinct a remembrance of the whole,... | |
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... if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. 
