| Harry Thurston Peck - 1898 - 964 lehte
...vivid impression that he had composed between 200 and 306 lines. The images, he says, "rose up before him as things, with a parallel production of the correspondent expressions, without any sensations or consciousness of effort." On awakening, he had so distinct a remembrance of the whole,... | |
| Francis Turner Palgrave - 1901 - 286 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
| Samuel Taylor Coleridge - 1902 - 162 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
| John Henry Fowler - 1904 - 516 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
| John Vance Cheney, Sir Charles G. D. Roberts, Francis Hovey Stoddard, John Raymond Howard - 1904 - 618 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...any sensation or consciousness of effort. On awaking lie appeared to himself to have a distinct recollection of the whole, and, taking his pen, ink, and... | |
| Curtis Hidden Page - 1904 - 942 lehte
...if that indeed can be called composition in which all the images rose up before him as M ('»£«, dead man's eye ! appeared to himself to have a distinct recollection of the whole, and taking his pen, ink. and paper,... | |
| Samuel Taylor Coleridge - 1905 - 170 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper... | |
| Samuel Taylor Coleridge - 1906 - 320 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
| Samuel Taylor Coleridge - 1907 - 168 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
| Samuel Taylor Coleridge - 1908 - 142 lehte
...Samuel Taylor Coleridge," Vol. I, p. 245, note. composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
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