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" The darksome pines that o'er yon rocks reclin'd Wave high, and murmur to the hollow wind, The wand'ring streams that shine between the hills, The grots that echo to the tinkling rills, The dying gales that pant upon the trees, The lakes that quiver to... "
The Works of Alexander Pope: Translations and imitations - Page 31
by Alexander Pope - 1751
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The Letters of Abelard and Heloise

Peter Abelard, Héloïse - 1974 - 324 lehte
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Sydney Studies in English

1975 - 124 lehte
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The Figure in the Landscape: Poetry, Painting, and Gardening During the ...

John Dixon Hunt - 1976 - 296 lehte
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The Art of Alexander Pope

Howard Erskine-Hill, Anne Smith - 1979 - 248 lehte
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The Unbalanced Mind: Pope and the Rule of Passion

Rebecca Ferguson - 1986 - 232 lehte
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Abandoned Women and Poetic Tradition, 10. köide

Lawrence Lipking - 1988 - 338 lehte
...that celebrated descriptive passage in which Pope out-Ovids Ovid and out-Miltons Milton. The darksom pines that o'er yon' rocks reclin'd Wave high, and murmur to the hollow wind. The wandring streams that shine between the hills, The grots that eccho to the tinkling rills, The dying gales that...
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Women's Place in Pope's World

Valerie Rumbold - 1989 - 336 lehte
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Gardens and the Picturesque: Studies in the History of Landscape Architecture

John Dixon Hunt - 1992 - 414 lehte
...There is no doubt at all which imagery succeeds best in identifying Eloisa's melancholy: The darksome pines that o'er yon rocks reclin'd Wave high and murmur to the hollow wind, The wandering streams that shine between the hills, The grots that echo to the tinkling rills, The dying...
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Leigh Hunt and the Poetry of Fancy

Rodney Stenning Edgecombe - 1994 - 290 lehte
...forests had already imported their monotonous sterility into Pope's Eloisa to Abelard—"The darksome pines that o'er yon' rocks reclin'd / Wave high, and murmur to the hollow wind" 54 —and had also been used atmospherically in Crabbe's tale The Patron ("All green was vanish'd,...
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Leigh Hunt and the Poetry of Fancy

Rodney Stenning Edgecombe - 1994 - 290 lehte
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