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Raamatud Books
" Give me my robe, put on my crown; I have Immortal longings in me: Now no more The juice of Egypt's grape shall moist this lip: — Yare, yare, good Iras; quick. — Methinks, I hear Antony call; I see him rouse himself To praise my noble act; I hear him... "
King Lear: A Tragedy in Five Acts - Page 77
by William Shakespeare - 1808 - 78 lehte
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Reading Moby-Dick and Other Essays

William Hamilton - 1989 - 252 lehte
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The Poet's Dictionary: A Handbook of Prosody and Poetic Devices

William Packard - 1989 - 221 lehte
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Roma materna: Rome et le personnage de la mère dans les tragédies romaines ...

Valida Dragovic - 1989 - 382 lehte
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Expansive Poetry: Essays on the New Narrative & the New Formalism

Frederick Feirstein - 1989 - 261 lehte
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The Oxford Anthology of English Poetry, 1. köide

John Wain - 1990 - 684 lehte
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An Audition Handbook of Great Speeches

Jerry Blunt - 1990 - 207 lehte
...themselves already determined to die with her, she prepares to die in what state is left her. Cleopatra: Give me my robe, put on my crown; I have Immortal...men To excuse their after wrath. Husband, I come: Now to that name my courage prove my title! I am fire and air; my other elements I give to baser life....
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Antony and Cleopatra

William Shakespeare - 1990 - 274 lehte
...longings in me. Now no more 275 The juice of Egypt's grape shall moist this lip. [The women dress her] Yare, yare, good Iras; quick. Methinks I hear Antony...rouse himself To praise my noble act. I hear him mock 256 so] Capell; not in F 273 sD.2 Enter. . .attire] Capell subst.; not in F: Re-enter Charmian and...
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A Treasury of Quotations

Alan Lennox-Short - 1991 - 292 lehte
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Byron's Historical Dramas

Richard Lansdown - 1992 - 259 lehte
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Antony and Cleopatra

Harley Granville-Barker - 1993 - 147 lehte
...dignity; and the pulse of it now throbs with a steady intensity, goes processionally forward, as it were. Give me my robe, put on my crown; I have Immortal...which the gods give men To excuse their after wrath. . . . Regular metre, saved from formality by the subtle variety of the mid-line stopping; the whole...
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