 ... feeling analogous to the supernatural by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us — an inexhaustible treasure, but for which, in consequence of the film...  Littell's Living Age - Page 1421871Full view - About this book
 | Raymond Macdonald Alden - 1921 - 458 lehte
...treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes yet see not, ears that hear not, and hearts that neither feel nor understand. With this view I wrote "The Ancient Mariner," and was preparing, among other poems, "The Dark Ladie"... | |
 | 1921 - 362 lehte
...but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand " (BL 2.6). It is an inexhaustible source of everything including the fancy. Fancy and understanding... | |
 | Emile Legouis, Sir Leslie Stephen - 1921 - 506 lehte
...but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand."1 A landscape lighted by the moon, or gilded by the rays of the setting sun, is no less... | |
 | Friedrich W. D. Brie - 1923 - 328 lehte
...treasure, but for which, in consequence of the film of familiarity and selfish solicitude we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand. With this view I wrote "The Ancient Mariner," and was preparing among 35 other poems, "The Dark Ladie,"... | |
 | Heathcote William Garrod - 1924 - 28 lehte
...treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes yet see not, ears that hear not, and hearts that neither feel nor understand'. To Coleridge goes back, you will notice, Shelley's famous phrase, by which he selects as the peculiar... | |
 | William Tenney Brewster - 1925 - 424 lehte
...but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand. With this view I wrote the Ancient Mariner, and was preparing, among other poems, the Dark Ladie, and... | |
 | John Matthews Manly - 1926 - 928 lehte
...but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet act, when they are all to meet upon the stage. There is no theatre in th With this view I wrote the "Ancient Mariner," and was preparing, among other poems, the "Dark Ladie,"... | |
 | 1928 - 432 lehte
...purpose, he says, is: sequence of the film of familiarity and selfish solicitude, we have eyes that see not, ears that hear not, and hearts that neither feel nor understand.' From that sentence of Coleridge it would be easy to develop a whole philosophy of the art of fiction.... | |
 | Meyer Howard Abrams - 1973 - 564 lehte
...treasure, but for which, in consequence of the film of familiarity and selfish solicitude we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand. Only upon publication, Coleridge adds, did Wordsworth represent the Ballads (in the Advertisement of... | |
 | Vinayak Krishna Gokak - 1975 - 84 lehte
...but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not, ears that hear not, and hearts that neither feel nor understand" (BL p. 6, Vol. II). It is obvious that Coleridge is here speaking of the revelatory power of Intuition.... | |
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