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" And what if all of animated nature Be but organic harps diversely framed, That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual breeze, At once the Soul of each, and God of all? "
The problem of the world and the Church reconsidered in three letters, by a ... - Page 98
by James Booth - 1873
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Sight & Sound: Naturbilder in der englischen und amerikanischen Romantik

Frank Mehring - 2001 - 194 lehte
...mit Emersons technologischem Wunschdenken kommt dem Dichter die Funktion der moralischen Legitimie447 „And what if all of animated nature/ Be but organic harps diversely framcd,/ That tremble into thought, as o'er them sweeps/ Plastic and vast, one intellectual breeze,/...
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Drug Delivery: Engineering Principles for Drug Therapy

W. Mark Saltzman - 2001 - 385 lehte
...that persuades you off the path and into the forest. 316 APPENDIX A OVERVIEW OF POLYMERIC BIOMATERIALS And what if all of animated nature Be but organic harps diversely fram'd, That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual breeze, At...
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Shelley Among Others: The Play of the Intertext and the Idea of Language

Stuart Peterfreund - 2002 - 432 lehte
...but organic Harps diversely fram'd," and speculating as to whether the causative power responsible is "Plastic and vast, one intellectual breeze, /At once the Soul of each and God of all[?]," this speaker backs down to uttering conventionally Christian pieties after "pensive Sara" reproves...
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Selected Poetry

Samuel Taylor Coleridge - 2002 - 260 lehte
...flutter on this subject Lute! Or what if all of animated nature Be but organic Harps diversely fram'd, That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual breeze, 35 At once the Soul of each, and God of all? But thy more serious eye a mild reproof Darts, O beloved...
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Coleridge's Notebooks: A Selection

Samuel Taylor Coleridge - 2002 - 296 lehte
...wearied head and heart, it was the matin hymn of nature' (IR 282). 9. A return to an early metaphor. 'And what if all of animated nature / Be but organic Harps diversely fram'd . . .': 'The Eolian Harp', ll. 44-5 (CPWi. 102). See 429. 457 20. *v§ l. CNm. 3359. APv) 4....
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The Cambridge Companion to Coleridge

Lucy Newlyn - 2002 - 292 lehte
...world. In the earliest version of the poem, these speculations rose to a view of an animated universe: And what if all of animated nature Be but organic Harps diversely fram'd, That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual Breeze At...
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Transformation and Tradition in the Sciences: Essays in Honour of I Bernard ...

Everett Mendelsohn - 2002 - 594 lehte
...1794-6 can be traced to a different source.8 In the "Eolian Harp," first published in 1796, we find: And what if all of animated nature Be but organic Harps diversely fram'd That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual breeze At...
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Romanticism, Enthusiasm, and Regulation: Poetics and the Policing of Culture ...

Jon Mee - 2005 - 342 lehte
...passive brain, As wild and various as the random gales That swell or flutter on this subject lute! And what if all of animated nature Be but organic...breeze, At once the Soul of each, and God of All? (11. 39-48) The first five lines of this famous passage hint at the kind of enthusiasm of the senses...
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Lyrical Ballads and Other Poems

William Wordsworth, Samuel Taylor Coleridge - 2003 - 356 lehte
...passive brain, As wild and various as the random gales That swell and flutter on this subject Lute! And what if all of animated nature Be but organic Harps diversely fram'd, That tremble into thought, as o'er them sweeps Plastic5 and vast, one intellectual breeze,...
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The Broad Church: A Biography of a Movement

Tod E. Jones - 2003 - 362 lehte
...in these lines from "The Eolian Harp," written by Coleridge in 1795, just after leaving Cambridge: And what if all of animated nature Be but organic Harps diversely fram'd, That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual breeze, At...
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