 | Samuel Taylor Coleridge - 1857 - 432 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and piper,... | |
 | Samuel Taylor Coleridge - 1857 - 426 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...any sensation or consciousness of effort. On awaking tie appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and... | |
 | Richard Salter Storrs - 1857 - 350 lehte
...musical utterance, amid the keen exhilaration of mind induced by opium. ' All the images rose before him as things, with a parallel production of the correspondent...without any sensation, or consciousness of effort.' Being afterward recalled to practical cares by the entrance of some one on an errand of business, he... | |
 | Samuel Taylor Coleridge - 1858 - 792 lehte
...lines ; if that indeed can be called composition in which all the images rose up before him as tilings, with a parallel production of the correspondent expressions,...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Forbes Benignus Winslow - 1860 - 796 lehte
...description was founded, and was written down immediately on awaking ; " the images rising up before him as things with a parallel production of the correspondent...without any sensation or consciousness of effort."* In dreaming, the mind is occupied with the incongruous conceptions and fantastic combinations of images,... | |
 | Forbes Winslow - 1860 - 618 lehte
...description was founded, and was written down immediately on awaking; "the images rising up before him as things with a parallel production of the correspondent...expressions without any sensation or consciousness of effort."i In dreaming, the mind is occupied with the incongruous conceptions and fantastic combinations... | |
 | Samuel Taylor Coleridge - 1861 - 448 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | Samuel Taylor Coleridge - 1864 - 328 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
 | Samuel Taylor Coleridge - 1864 - 720 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort. Ou awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
 | Alexander Henley Grant - 1865 - 414 lehte
...indeed can be called composition in which all the images VOL. II. Q 22G WHY FRAGMENTARY. rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
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... if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. 
