 | Samuel Taylor Coleridge - 1881 - 592 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or conseiousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole,... | |
 | James Baldwin - 1882 - 632 lehte
...three hundred lines; if that, indeed, can be called composition in which all the images rose up before him as things with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and, taking his pen, ink, and paper,... | |
 | Samuel Taylor [poetical works] Coleridge - 1882 - 448 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | 1883 - 528 lehte
...three hundred lines ; if that, indeed, can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | William Benjamin Carpenter - 1883 - 816 lehte
...from two to three hundred lines, which he had nothing to do but to write down, " the images rising up as things, with a parallel production of the correspondent...without any sensation or consciousness of effort." The whole of this »iugular fragment, as it stands, consisting of fifty-four lines, was written as... | |
 | Samuel Taylor Coleridge - 1884 - 312 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
 | Samuel Taylor Coleridge - 1884 - 310 lehte
...hund_red lines ; if that indeed can be called composition in which all the images rose up before hhn as things, with a parallel production of the correspondent...without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
 | Thomas Young Crowell - 1885 - 702 lehte
...three bundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
 | Sir Hall Caine - 1887 - 188 lehte
...three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
 | 1890 - 1372 lehte
...vivid impression that he had composed between 200 and 300 lines. The images, he says, " rose up before him as things, with a parallel production of the correspondent expressions, without any sensations or consciousness of effort." On awakening, he had so distinct a remembrance of the whole,... | |
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... if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. 
