 | 1992 - 312 lehte
...quality of "effortlessness" in poetic creation is acknowledged in that, "all the images rose up before him as things, with a parallel production of the correspondent...expressions, without any sensation or consciousness of effort."100 So, super-natural "phantoms" are invested with a dynamic and a facticity that is often... | |
 | Jean Houston - 1993 - 348 lehte
...Khan." Coleridge had taken some opium and fallen into a kind of sleep in which images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort. The subject, who was in trance during this discussion, delivered himself of a rambling and rather long... | |
 | Jack Stillinger - 1994 - 268 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his is pen, ink, and paper,... | |
 | Alfred Alvarez - 1996 - 324 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...expressions, without any sensation or consciousness of effort.63 'Kubla Khan' is all images, all 'things' that Coleridge had absorbed in the course of his... | |
 | Leo Katz - 1996 - 330 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen,... | |
 | Peter Hughes, Robert Rehder - 1996 - 258 lehte
...lines of the poem, "... if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort" (163, emphasis added). So in the dream he is given the images directly as things, and he is given the... | |
 | Margaret Russett - 1997 - 318 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort. (OW295-o.6) De Quincey's images further attenuate this consciousness of labor, for the pleasure-domes... | |
 | Morton D. Paley - 1999 - 338 lehte
...his own account of how he composed 'Kubla Khan' in a state 'in which all the images rose up before him as things, with a parallel production of the correspondent...expressions, without any sensation or consciousness of effort'.81 Swedenborg's visions could be regarded as having poetic and symbolic truth, and this helps... | |
 | Peter Schwenger - 1999 - 194 lehte
...accept the hallucinations as produced by reading) are paralleled. The images rise up before the mind "with a parallel production of the correspondent expressions,...without any sensation or consciousness of effort." What is implied, then, is the interdependence of writing and reading, which are not neatly separable... | |
 | Andre Bernard, Clifton Fadiman - 2000 - 808 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
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... if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. 
