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Raamatud Books
" ... if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. "
The Penny Cyclopaedia of the Society for the Diffussion of Useful Knowledge - Page 141
1838
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Coleridge and Textual Instability: The Multiple Versions of the Major Poems

Jack Stillinger - 1994 - 272 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his is pen, ink, and paper,...
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Night: Night Life, Night Language, Sleep and Dreams

Alfred Alvarez - 1996 - 290 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...expressions, without any sensation or consciousness of effort.63 'Kubla Khan' is all images, all 'things' that Coleridge had absorbed in the course of his...
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Ill-Gotten Gains: Evasion, Blackmail, Fraud, and Kindred Puzzles of the Law

Leo Katz - 1996 - 293 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen,...
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Imprints & Re-visions: The Making of the Literary Text, 1759-1818

Peter Hughes, Robert Rehder - 1996 - 241 lehte
...lines of the poem, "... if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort" (163, emphasis added). So in the dream he is given the images directly as things, and he is given the...
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De Quincey's Romanticism: Canonical Minority and the Forms of Transmission

Margaret Russett - 1997 - 295 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort. (OW295-o.6) De Quincey's images further attenuate this consciousness of labor, for the pleasure-domes...
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Apocalypse and Millennium in English Romantic Poetry

Morton D. Paley - 1999 - 334 lehte
...his own account of how he composed 'Kubla Khan' in a state 'in which all the images rose up before him as things, with a parallel production of the correspondent...expressions, without any sensation or consciousness of effort'.81 Swedenborg's visions could be regarded as having poetic and symbolic truth, and this helps...
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Fantasm and Fiction: On Textual Envisioning

Peter Schwenger - 1999 - 174 lehte
...accept the hallucinations as produced by reading) are paralleled. The images rise up before the mind "with a parallel production of the correspondent expressions,...without any sensation or consciousness of effort." What is implied, then, is the interdependence of writing and reading, which are not neatly separable...
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Bartlett's Book of Anecdotes

Andre Bernard, Clifton Fadiman - 2000 - 800 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,...
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British Romanticism and the Science of the Mind

Alan Richardson - 2001
...linguistic modules: "if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort." It is difficult to square this account with Coleridge's insistence, contra Spurzheim, that "every"...
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Selected Poetry

Samuel Taylor Coleridge - 2002 - 256 lehte
...three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent...without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen,...
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